=LDR  05813cab a22010574i 4500
=001  a013497926
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=005  20191219091442.0
=008  101207s2005\\\\fi\|||||\||||\|||||0eng|c
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=040  \\$aFI-BTJ
=041  0\$aeng
=084  \\$a40.7$2ykl
=084  \\$a70$2ykl
=084  \\$a71$2ykl
=100  1\$aAholainen, Leena,.-$d(19- )$1http://viaf.org/viaf/310755647
=245  10$aResisting death, or what made Luca Guzzetti jump into the ashtray?.
=246  3\$aArt, memory, resistance
=246  3\$aOrigins of art, or, the un-timely jump
=336  \\$ateksti$btxt$2rdacontent
=337  \\$akäytettävissä ilman laitetta$bn$2rdamedia
=490  0\$aFocus
=500  \\$a'Capturing the moving mind' -conference. Luca Guzzetti, an italian sociologist, jumped into the Korean artist Wonsuck Han's artwork Rubbishmuseum, a large ashtray full of maggots, in China, Beijing. Three articles about this event; the third jump was filmed and turned into a performance.
=500  \\$aHttp://www.frame-fund.fi.
=500  \\$aIn addition: Origins of art, or, the un-timely jump / Steffen Böhm ; Art, memory, resistance / Bracha L. Ettinger and Akseli Virtanen.
=530  \\$aKokoteksti netissä.
=650  \7$aaiheet$2yso/fin$0http://www.yso.fi/onto/yso/p3403
=650  \7$abeteende$2yso/swe$0http://www.yso.fi/onto/yso/p3625
=650  \7$abetydelser (semantik)$2yso/swe$0http://www.yso.fi/onto/yso/p7009
=650  \7$aelämyksellisyys$2yso/fin$0http://www.yso.fi/onto/yso/p20773
=650  \7$aerfarande$2yso/swe$0http://www.yso.fi/onto/yso/p3210
=650  \7$aestetiikka$2yso/fin$0http://www.yso.fi/onto/yso/p5196
=650  \7$aestetik$2yso/swe$0http://www.yso.fi/onto/yso/p5196
=650  \7$aetiikka$2yso/fin$0http://www.yso.fi/onto/yso/p3166
=650  \7$aetik$2yso/swe$0http://www.yso.fi/onto/yso/p3166
=650  \7$aexperimentalitet$2yso/swe$0http://www.yso.fi/onto/yso/p22828
=650  \7$ainstallaatiot$2yso/fin$0http://www.yso.fi/onto/yso/p14722
=650  \7$ainstallationer$2yso/swe$0http://www.yso.fi/onto/yso/p14722
=650  \7$ajunamatkailu$2yso/fin$0http://www.yso.fi/onto/yso/p1416
=650  \7$akokeellisuus$2yso/fin$0http://www.yso.fi/onto/yso/p22828
=650  \7$akokeminen$2yso/fin$0http://www.yso.fi/onto/yso/p3210
=650  \7$akokoontumiset$2yso/fin$0http://www.yso.fi/onto/yso/p7764
=650  \7$akonst$2yso/swe$0http://www.yso.fi/onto/yso/p2851
=650  \7$akonstbranschen$2yso/swe$0http://www.yso.fi/onto/yso/p21183
=650  \7$akonstfilosofi$2yso/swe$0http://www.yso.fi/onto/yso/p5597
=650  \7$akonstnärer$2yso/swe$0http://www.yso.fi/onto/yso/p7017
=650  \7$akonstutställningar$2yso/swe$0http://www.yso.fi/onto/yso/p6889
=650  \7$akonstverk$2yso/swe$0http://www.yso.fi/onto/yso/p778
=650  \7$akäyttäytyminen$2yso/fin$0http://www.yso.fi/onto/yso/p3625
=650  \7$amatkakertomukset$2yso/fin$0http://www.yso.fi/onto/yso/p5977
=650  \7$amerkitykset (semantiikka)$2yso/fin$0http://www.yso.fi/onto/yso/p7009
=650  \7$aperformance$2yso/swe$0http://www.yso.fi/onto/yso/p4098
=650  \7$aperformanssi$2yso/fin$0http://www.yso.fi/onto/yso/p4098
=650  \7$apublik$2yso/swe$0http://www.yso.fi/onto/yso/p4280
=650  \7$areception (mottagande)$2yso/swe$0http://www.yso.fi/onto/yso/p24663
=650  \7$areseberättelser$2yso/swe$0http://www.yso.fi/onto/yso/p5977
=650  \7$areseptio$2yso/fin$0http://www.yso.fi/onto/yso/p24663
=650  \7$asammankomster$2yso/swe$0http://www.yso.fi/onto/yso/p7764
=650  \7$aspektaakkelit$2yso/fin$0http://www.yso.fi/onto/yso/p21591
=650  \7$aspektakel$2yso/swe$0http://www.yso.fi/onto/yso/p21591
=650  \7$ataide$2yso/fin$0http://www.yso.fi/onto/yso/p2851
=650  \7$ataideala$2yso/fin$0http://www.yso.fi/onto/yso/p21183
=650  \7$ataidefilosofia$2yso/fin$0http://www.yso.fi/onto/yso/p5597
=650  \7$ataidenäyttelyt$2yso/fin$0http://www.yso.fi/onto/yso/p6889
=650  \7$ataideteokset$2yso/fin$0http://www.yso.fi/onto/yso/p778
=650  \7$ataiteilijat$2yso/fin$0http://www.yso.fi/onto/yso/p7017
=650  \7$atobak$2yso/swe$0http://www.yso.fi/onto/yso/p4845
=650  \7$atolkning (kognition)$2yso/swe$0http://www.yso.fi/onto/yso/p4511
=650  \7$atulkinta$2yso/fin$0http://www.yso.fi/onto/yso/p4511
=650  \7$atupakka$2yso/fin$0http://www.yso.fi/onto/yso/p4845
=650  \7$atågturism$2yso/swe$0http://www.yso.fi/onto/yso/p1416
=650  \7$aupplevelserikedom$2yso/swe$0http://www.yso.fi/onto/yso/p20773
=650  \7$ayleisö$2yso/fin$0http://www.yso.fi/onto/yso/p4280
=650  \7$ayllätykset$2yso/fin$0http://www.yso.fi/onto/yso/p22946
=650  \7$aämnen$2yso/swe$0http://www.yso.fi/onto/yso/p3403
=650  \7$aöverraskningar$2yso/swe$0http://www.yso.fi/onto/yso/p22946
=651  \7$aBeijing$2yso/swe$0http://www.yso.fi/onto/yso/p107999
=651  \7$aKiina$2yso/fin$0http://www.yso.fi/onto/yso/p104984
=651  \7$aKina$2yso/swe$0http://www.yso.fi/onto/yso/p104984
=651  \7$aPeking$2yso/fin$0http://www.yso.fi/onto/yso/p107999
=651  \7$aRyssland$2yso/swe$0http://www.yso.fi/onto/yso/p94479
=651  \7$aSibirien$2yso/swe$0http://www.yso.fi/onto/yso/p106721
=651  \7$aSiperia$2yso/fin$0http://www.yso.fi/onto/yso/p106721
=651  \7$aVenäjä$2yso/fin$0http://www.yso.fi/onto/yso/p94479
=700  1\$aEttinger, Bracha L.
=700  1\$aVirtanen, Akseli$1http://viaf.org/viaf/208911467
=773  0\$w(FI-MELINDA)002611814$w(FI-Arto)962774$7nnas$tFramework : the Finnish art review. -$x1459-6288. -$d2004-. -$g2005 : 4, s.38-45$sFramework (Helsinki)
=884  \\$aAleksi(FINMARC)-Arto(MARC 21)-konversio$g20180221$qFI-ARTO$5ARTO
=960  \\$aARTO
=960  \\$aAleksi$5ARTO
=995  \\$aKansalliskirjasto$bAleksi$5ARTO