=LDR 03730nab a22004090u 4500 =001 spart10340 =003 ES-LoD =005 20230516100050.0 =008 230516s2017\\\\sp\\\\\\\\\\\\\\\\\\spa\\ =022 \\$a2328-1308 =041 \\$aspa =100 \\$aZamora, Andrés =245 \\$aEsbozo de un teoría verbal de la comedia$cZamora, Andrés =260 \\$c2017 =520 3\$aTheater is constituted by a double and correlative tension between auditory and visual elements, on one hand, and verbal and factual components, on the other. Due to restrictions in staging or to aesthetic preference, in the Spanish Golden Age Comedia there is an initial preference for auditory constituents over visual elements. However, this partiality does not entail, as could be expected from the double binary, a supremacy of the verbal over the factual, but rather requires an equivalence between both dimensions. Given the original diminished role of visual action, in the Spanish Comedia the word becomes the action; both are one and the same. From this hypothesis, I propose an analytical model wherein the play's plot appears as set of verbal incidents that could be reduced to four: utterance of a statement, silence, correct and incorrect interpretation of an utterance. To prove or test the validity and the critical fruits of this theorization of the Comedia and the analytical method derived from it, the essay reviews (or better, rehears) a corpus of representative plays: El médico de su honra, El desdén con el desdén, El condenado por desconfiado, and Entre bobos anda el juego. =538 \\$aapplication/pdf =540 \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI =650 04$aLiterature =650 04$aGolden Age Comedia =650 04$aDramatic Theory =650 04$aVerbal Action =650 04$aEl médico de su honra =650 04$aEl desdén con el desdén =650 04$aEl condenado por desconfiado =650 04$aEntre bobos anda el juego =650 04$aliteratura =650 04$acomedia del Siglo de Oro =650 04$ateoría dramática =650 04$aacción verba =650 04$aEl médico de su honra =650 04$aEl desdén con el desdén =650 04$aEl condenado por desconfiado =650 04$aEntre bobos anda el juego =655 \4$atext (article) =773 0\$tHipogrifo: Revista de Literatura y Cultura del Siglo de Oro$x2328-1308$gVol. 5, Nº. 1, 2017 (Ejemplar dedicado a: Homenaje a Francisco Ruiz Ramón), pags. 481-498 =856 40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=5978639 =995 \\$aBiblioteca Nacional de España