=LDR 03774nab a22006010u 4500 =001 spart10349 =003 ES-LoD =005 20230516100050.0 =008 230516s2017\\\\sp\\\\\\\\\\\\\\\\\\spa\\ =022 \\$a2328-1308 =041 \\$aspa =100 \\$aLobato López, María Luisa =245 \\$aEl paso de negra en el «Coloquio de Gila», de Lope de Rueda, y otras negras en el teatro del siglo XVI$cLobato López, María Luisa =260 \\$c2017 =520 3\$aThe Coloquio de Gila by Lope de Rueda, which came to light less than a decade ago, presents the figure of the black woman Sofía with a number of identifying characteristics. Some of these characteristics are already found in poetic texts that contain a noticeable element of dramatisation and were written towards the end of the fifteenth century, such as those by Anrique de Mota and Rodrigo de Reinosa. But it is in the sixteenth century that the 'black woman' character type appears in literary works by Jaime de Huete, Feliciano de Silva, Gaspar Gómez de Toledo, Gil Vicente and Diego Sánchez de Badajoz. These works constitute a sufficiently wide repertoire to examine the black woman character type and to establish the characteristics of this type on the basis of the literary texts in which she appears. =538 \\$aapplication/pdf =540 \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI =650 04$aWoman =650 04$aTheater =650 04$aInterlude =650 04$aBlack Race =650 04$a16Th Century =650 04$aRenaissance =650 04$aHonour =650 04$aRace =650 04$aLope de Rueda =650 04$aAnrique de Mota =650 04$aRodrigo de Reinosa =650 04$aJaime de Huete =650 04$aFeliciano de Silva =650 04$aGaspar Gómez de Toledo =650 04$aGil Vicente =650 04$aDiego Sánchez de Badajoz =650 04$amujer =650 04$ateatro =650 04$aentremés =650 04$anegra =650 04$asiglo XVI =650 04$aRenacimiento =650 04$ahonor =650 04$araza =650 04$aLope de Rueda =650 04$aAnrique de Mota =650 04$aRodrigo de Reinosa =650 04$aJaime de Huete =650 04$aFeliciano de Silva =650 04$aGaspar Gómez de Toledo =650 04$aGil Vicente =650 04$aDiego Sánchez de Badajoz =655 \4$atext (article) =773 0\$tHipogrifo: Revista de Literatura y Cultura del Siglo de Oro$x2328-1308$gVol. 5, Nº. 1, 2017 (Ejemplar dedicado a: Homenaje a Francisco Ruiz Ramón), pags. 305-325 =856 40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=5978645 =995 \\$aBiblioteca Nacional de España