=LDR  03157nab a22003610u 4500
=001  spart10674
=003  ES-LoD
=005  20230516100050.0
=008  230516s2017\\\\sp\\\\\\\\\\\\\\\\\\eng\\
=022  \\$a0211-0547
=041  \\$aeng
=100  \\$aGonzález Chacón, María del Mar
=245  \\$aIrish Penelopes: rewritings of the myth in "The Midlands trilogy and Penelope"$cGonzález Chacón, María del Mar
=260  \\$c2017
=520  3\$aThis article looks at how the myth of Penelope relates to Marina Carr's "Midlands Trilogy" and Enda Walsh's "Penelope". The analysis of the articulation of Marina Carr's Penelopes serves to approach the questions of the influence of waiting in these women's lives as well as the different types of the resulting immobilization which affect their agency. Secondly, the spatial representation of waiting in her theatre is analyzed to identify the contexts where these processes occur. On the other hand, Enda Walsh's Penelope constitutes a more savage version and his play has been read as "a madcap rewrite of Homer" (Pilný 2013: 219), where the myth is used to interrogate the question of the halt of Ireland as a consequence of the post-Celtic Tiger crisis. Both writers emerged in the 1990's and were part of "a gifted generation of playwrights in contemporary Ireland" (Randolph 2012: 47).
=538  \\$aapplication/pdf
=540  \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
=650  04$aIrish contemporary theatre
=650  04$aMarina Carr
=650  04$aEnda Walsh
=650  04$aPenelope
=650  04$awaiting
=650  04$amyth
=650  04$aTeatro irlandés contemporáneo
=650  04$aMarina Carr
=650  04$aEnda Walsh
=650  04$aPenélop
=650  04$aespera
=650  04$amito
=655  \4$atext (article)
=773  0\$tCuadernos de investigación filológica$x0211-0547$gTomo 43,  2017,  pags. 119-137
=856  40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=6206488
=995  \\$aBiblioteca Nacional de España