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=008  230516s2018\\\\sp\\\\\\\\\\\\\\\\\\spa\\
=022  \\$a2254-7444
=041  \\$aspa
=100  \\$adi Marco de Grossi, Marina
=245  \\$a«Cuando yo era niña»: desplazamientos enunciativos en la canción de cuna de una cristiana cautiva$cdi Marco de Grossi, Marina
=260  \\$c2018
=520  3\$aIn the light of the literary works that refer to it, the topic of the captive Christian maiden sets out a variety of thematic core ideas, many times related to the feeling of longing, the cultural crossing and the consideration of Otherness. Such is the case of the lullaby "Cuando yo era niña", compiled in two anthologies, one by Francisco Rodríguez Marín (Cantos populares españoles, 1883) and one by Fernando Llorca (Lo que cantan los niños, 1931). In this song, the alternation of the two voices -each from a different culture- that lull the child to sleep is combined with displacements in its utterance situation. Altering the purpose and the receiver of traditional lullabies, there are new discursive forms that intrude into this song: self-referential relations, amorous compliments, emotional expressions of the speaker, and religious folk poetry. These elements belong to a cultural imaginary very different from the one in which the child is being reared, and they account for the amplitude of aspects we must take into consideration to study any lullaby. Based on this comprehensive insight of lullaby as a folk genre, and by means of a theory on poetry both structural and pragmatic, the present work intends to analyze in which manner the medieval topic of the Christian captive maiden survives in this dialogical lullaby. This will show to what extent this survival plays a part in the configuration of a lyrical voice marked by the experience of travel, but that, at the same time, preserves the capability to transmit its own culture.
=538  \\$aapplication/pdf
=540  \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
=650  04$aCristiana cautiva
=650  04$aCanción de cuna
=650  04$aPervivencia
=650  04$aOtredad
=650  04$aSituación de enunciación
=650  04$aCaptive Christian maiden
=650  04$aLullaby
=650  04$aSurvival
=650  04$aOtherness
=650  04$aUtterance situation
=655  \4$atext (article)
=773  0\$tRevista de Cancioneros impresos y manuscritos$x2254-7444$gNº. 7,  2018,  pags. 46-65
=856  40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=6242483
=995  \\$aBiblioteca Nacional de España