=LDR 03342nab a22003370u 4500 =001 spart14118 =003 ES-LoD =005 20230516100052.0 =008 230516s2021\\\\sp\\\\\\\\\\\\\\\\\\spa\\ =022 \\$a2328-1308 =041 \\$aspa =100 \\$aGómez Caballero, Iván =245 \\$aEcos clásicos y renacentistas en la obra teatral y poética de Antonio Enríquez Gómez: el tópico del Etna como símbolo del amor$cGómez Caballero, Iván =260 \\$c2021 =520 3\$aThis article approaches the transmission of Etna's topic as a symbol of love from classical literatures and its reception in Baroque literature, specifically in the poetry and theater of the crypto-Jew Antonio Enríquez Gómez. The study can be divided into two content blocks: in the first one, we analyze how the topic was forged in Greek literature and how it became stablished in Latin literature with Ovidio, Catullus and Horacio. Likewise, we analyze its transmission in the 16th century by Garcilaso de la Vega, his followers and his commentators, who were, beyond doubt, read by Baroque poets. In the second block, we analyze the reception of Etna in Enríquez Gómezʼs work, determining that his emblematic writing style corresponds exactly to the writing style of Pedro Calderón de la Barca, a playwright greatly admired by Enríquez Gómez. Finally, we emphasize that Etna is a consolidated topic in the Calderonian school and, therefore, it is worth continuing to investigate it in successive works =538 \\$aapplication/pdf =540 \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI =650 04$aAntonio Enríquez Gómez =650 04$atópico del Etna =650 04$aintertextualidad =650 04$apoesía barroca =650 04$ateatro barroco =650 04$aAntonio Enríquez Gómez =650 04$aEtna's topic =650 04$aintertextuality =650 04$aBaroque poetry =650 04$aBaroque theatre =655 \4$atext (article) =773 0\$tHipogrifo: Revista de Literatura y Cultura del Siglo de Oro$x2328-1308$gVol. 9, Nº. 2, 2021, pags. 567-581 =856 40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=8186352 =995 \\$aBiblioteca Nacional de España