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=100  \\$aMuro Munilla, Miguel Ángel
=245  \\$aDe la tragedia clásica al drama romántico en la Mérope de Bretón de los Herreros (1835)$cMuro Munilla, Miguel Ángel
=260  \\$c2022
=520  3\$aIn 1713 Scipione Maffei premiered his tragedy Merope in which he gave form to a Greek legend treated by Euripides in a work almost completely lost today. The tragedy showed the pathos of the feelings of a mother who saw the life of her only son threatened by the tyrant who, years earlier, had murdered the king, her husband, along with her two eldest sons. Voltaire, in 1744, introduced some structural changes in Maffei's work that enhanced the interest and pathos of his plot. In 1783, Alfieri accepted Voltaire's changes and chose to strengthen the figure of the tyrant and to increase the sentimental role of Polidoro, the adoptive father of the hidden prince. Bretón de los Herreros, in 1835, the year of the emergence of romantic theatre in Spain, fostered harmony with Madrid audiences by giving some touches of romanticism to the story and raising the pathetic component of the maternal and paternal-child affections, linked to tyranny and to his violent overthrow, that had already been offered by his predecessors. Maffei, Voltaire and Alfieri achieved notable success with their works, while Breton failed in an unappealable way, quite possibly because it was a tragedy with a classical theme and because of that same pathetic exaggeration that turned it into a melodrama with a happy ending that came to collide with the wretched endings of romantic dramas.
=538  \\$aapplication/pdf
=540  \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
=650  04$aromantic drama
=650  04$aBretón de los Herreros
=650  04$aMérope
=650  04$atragedia
=650  04$aromanticismo
=650  04$apatetismo
=650  04$atiranicidio
=650  04$aTragedia y drama romántico
=650  04$aBretón de los Herreros
=650  04$aMérope
=650  04$atragedy
=650  04$aromanticism
=650  04$apathos
=650  04$atyrannicide
=650  04$atragedie
=655  \4$atext (article)
=773  0\$tArchivum: Revista de la Facultad de Filosofía y Letras$x0570-7218$gNº 72,  2022,  pags. 373-397
=856  40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=8705655
=995  \\$aBiblioteca Nacional de España