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=022  \\$a2530-0296$l2445-4257
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=100  \\$aGhignoli, Alessandro
=245  \\$aLa lengua performativa de Llanos Gómez Menéndez: Entre poesía y teatro$cGhignoli, Alessandro
=260  \\$c2016
=520  3\$aThe aim of this article is to delve into the language of the author Llanos Gómez Menéndez, and in particular, into her first literary work, which she released after plentiful essay production, entitled Arco voltaico (2014) where poetry and drama converge in a writing, which could be defined as hybrid literature and, without a doubt, draws upon author's research experience, focussed on the historical avant-gardes and on the study of social and textual fields. The distinctive feature of this book, perhaps the inevitable one, is its performativity -a term that has been recovered by the philosopher of language John Langshaw Austin in his work  How to Do Things with Words (1962)-. The performative utterances are characterized by their ability to act at the moment of expression. This aspect is highly evident in the volume of Gómez Menéndez, where word performance is demonstrated, therefore it becomes an original and anomalous writing in regard to the production of Spanish contemporary literature and its languages. The literary experiment is an endeavour not only of search and discovery of new theoretical and pragmatic writing formulations, but also of a decision to get closer to an audience
=538  \\$aapplication/pdf
=540  \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
=650  04$aSpanish contemporary literature
=650  04$aHybrid language and literature
=650  04$aPoetry
=650  04$aDrama
=650  04$aLiteratura española contemporánea
=650  04$aLengua y Literatura híbrida
=650  04$aPoesía
=650  04$aTeatro
=655  \4$atext (article)
=773  0\$tPoéticas: Revista de Estudios Literarios$x2530-0296$gNº. 3,  2016 (Ejemplar dedicado a: NÚMERO 3),  pags. 85-99
=856  40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=5755455
=995  \\$aBiblioteca Nacional de España