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=008  230516s2012\\\\sp\\\\\\\\\\\\\\\\\\spa\\
=022  \\$a1989-7383
=041  \\$aspa
=100  \\$ada Silva Alves, Wanderlan
=245  \\$aFronteras del deseo: melodrama y crítica social en " Tengo miedo torero ", de Pedro Lemebel$cda Silva Alves, Wanderlan
=260  \\$bUniversidad de Valladolid$c2012
=520  3\$athis article analyzes the novel Tengo miedo torero (2001), by Chilean writer Pedro Lemebel. The study aims to demonstrate how that narrative develops a critic discourse about the Chilean history under military dictatorship's power. The Lemebel's text can be described as a historiographic metafiction (Hutcheon, 1991). The textual construction, in this novel, is associate with the melodramatic genre, and its writing procedures create a hybrid discursive space where the literary enunciation acknowledges discourses and languages that hasn't generally been institutionalized by social structures. These constructive aspects contribute for the protagonist character's subjectivity (Agamben, 2008), an effeminate gay man that is representative character of a social condition characterized by borders and risks. In this novel, then, the performance made by the protagonist shows and promotes some discussions about the (homo)sexual desire, the individual and collective freedom (Bauman, 1998) and the representations of certain minority groups in Latin American Contemporary Literature.
=538  \\$aapplication/pdf
=540  \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
=650  04$aPedro Lemebel
=650  04$ametaficción historiográfica
=650  04$agéneros narrativos híbridos
=650  04$aperformance
=650  04$aLiteratura Hispanoamericana Contemporánea
=650  04$aPedro Lemebel
=650  04$ahistoriographic metafiction
=650  04$ahybrid narrative genres
=650  04$aperformance
=650  04$aSpanish American Contemporary Literature
=655  \4$atext (article)
=773  0\$tCastilla: Estudios de Literatura$x1989-7383$gNº. 3,  2012
=856  40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=4077218
=995  \\$aBiblioteca Nacional de España