=LDR  03559nab a22002170u 4500
=001  spart6743
=003  ES-LoD
=005  20230516100049.0
=008  230516s2013\\\\sp\\\\\\\\\\\\\\\\\\spa\\
=022  \\$a2254-7444
=041  \\$aspa
=100  \\$aD'Agostino, Maria
=245  \\$a«Atiérrame el porvenir»: la Confesión de Juan Fernández de Heredia$cD'Agostino, Maria
=260  \\$bUniversitat d´Alacant / Universidad de Alicante$c2013
=520  3\$aThis article is the first part of a forthcoming and comprehensive study of the religious writings by Juan Fernández de Heredia. Although he was a key figure at the court of Germana de Foix, his poetry has only been recently the focus of in-depth studies, and his religious production remains somewhat unexplored. Fernández de Heredia's devotional texts are less numerous than the ones he wrote on love and other traditional topics. However, the religious poems by don Juan were already printed in the first Spanish edition of the Cancionero de Montemayor, issued in 1556, therefore six years before the princeps of his Obras, published in 1562. The aim of the present study is to contextualize Heredia's religious texts and, above all, to verify whether his devout poetry can be compared with the contemporary production of the same subject matter or rather -as I already underscored for Heredia's love poems- it presents noteworthy differences that can be linked to the great tradition of the Valencian lyrics, whose climax is represented by Ausiàs March. The article also analyses in detail the Exhortando la obligación que el cristiano tiene de confesar y lo que debe hacer -known as the Confesión. It demonstrates once more how Juan Fernández de Heredia merges various poetic traditions in his verses and also looks at works by March in this instance, particularly at the Cant espiritual. This poem shares with the Confesión by Heredia the dramatic theme of contritio and the difficulty to experience a sincere penitence. By juxtaposing the two texts it is possible to detect the direct source of Heredia's text.
=538  \\$aapplication/pdf
=540  \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
=655  \4$atext (article)
=773  0\$tRevista de Cancioneros impresos y manuscritos$x2254-7444$gNº. 2,  2013,  pags. 1-30
=856  40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=4242336
=995  \\$aBiblioteca Nacional de España