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=008  230516s2012\\\\sp\\\\\\\\\\\\\\\\\\spa\\
=022  \\$a1988-1088
=041  \\$aspa
=100  \\$aSverlij, Mariana
=245  \\$aLa razón y el absurdo en la obra de Leon Battista Alberti$cSverlij, Mariana
=260  \\$c2012
=520  3\$aOne of the most outstanding characteristics of Leon Battista Alberti's work (1404 - 1472) is the formulation of two simultaneous and contradictory visions of the world. The «paradigm of the reason» that nourishes his treatises on painting, sculpture and architecture contradicts and interacts with the «paradigm of the absurd», that encourages his literary works, particularly his Latin narrative Momus sive de Principe and his Intercenales. If in Momus and Intercenales there is a predominance of the destructive character of men and his ambivalent relationship with time, in De re aedificatoria, it is the homo faber the one that is erected as creator of a rational space. Thus the emerging secular conception of time and space goes together with a reflection that alternates between the verification of a world constructed over an absurd basis and the search for rational frameworks. My hypothesis is that these two trains of thought that can be found throughout Leon Battista Alberti's work are in constant conversation, showing different levels of rapport. From that perspective, this paper intends to analyze the opposition and coexistence of the absurd and the rational in Alberti's work, by examining his Momus sive de Principe, the Intercenales and De re aedificatoria.
=538  \\$aapplication/pdf
=540  \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
=650  04$aReason
=650  04$aabsurd
=650  04$ahuman being
=650  04$aMomo
=650  04$aarchitecture
=650  04$aRazón
=650  04$aabsurdo
=650  04$ahombre
=650  04$aMomo
=650  04$aarquitectura
=655  \4$atext (article)
=773  0\$tStudia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro$x1988-1088$gNº. 6,  2012
=856  40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=4846560
=995  \\$aBiblioteca Nacional de España