=LDR 03376nab a22003850u 4500 =001 spart10430 =003 ES-LoD =005 20230516100050.0 =008 230516s2017\\\\sp\\\\\\\\\\\\\\\\\\spa\\ =022 \\$a0985-5939 =041 \\$aspa =100 \\$aCarrera Garrido, Miguel =245 \\$aEl dolor del pasado: Insensibles (2012) y los mecanismos de lo fantástico y el terror al servicio de la recuperación de la memoria histórica$cCarrera Garrido, Miguel =260 \\$c2017 =520 3\$aSince the beginning of the millennium, a  sector of the Spanish cultural activity has been devoted to the recovery of historical memory. Part of a global process, the creations associated with this current were soon absorbed by the entertainment industry. This fact distorted its original essence; in turn, it led to an enriching phenomenon, linking the critical purpose with genres traditionally regarded as popular: the fantastic and horror. This can be appreciated especially in film, with movies like The Devil's Backbone or Pan's Labyrinth, which address some of the darkest passages in the history of Spain from an openly anti-realist perspective. The same pattern is followed by the film here analyzed: Juan Carlos Medina Insensibles (2012). Focused on the Francoist crimes, it resorts to defining strategies of these genres, constituting a valuable contribution to its growth in the domestic film industry. =538 \\$aapplication/pdf =540 \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI =650 04$aHistorical memory =650 04$aContemporary Spanish Cinema =650 04$aJuan Carlos Medina =650 04$aFantastic =650 04$aHorror =650 04$aHauntology =650 04$aPsychoanalysis =650 04$amemoria histórica =650 04$acine español contemporáneo =650 04$aJuan Carlos Medina =650 04$afantástico =650 04$aterror =650 04$afantología =650 04$apsicoanálisis =655 \4$atext (article) =773 0\$tSociocriticism$x0985-5939$gVol. 32, Nº. 1, 2017 (Ejemplar dedicado a: Memoria Histórica/Transiciones), pags. 11-44 =856 40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=6027238 =995 \\$aBiblioteca Nacional de España