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=008  230516s2017\\\\sp\\\\\\\\\\\\\\\\\\ger\\
=022  \\$a2014-1416
=041  \\$ager
=100  \\$aSaalbach Erdmann, Mario
=245  \\$aEmotionen und Emotionsmanagement in Günter Grass' novelle Im Krebsgang und im umfeld ihrer Rezeption$cSaalbach Erdmann, Mario
=260  \\$c2017
=520  3\$aWith the topic of the flight and expulsion of the Germans from the eastern territories of Germany as a result of World War II, the publication of the novella Im Krebsgang (ingl. Crabwalk) by Günter Grass in 2002 set a new focus in the not only literary revision of National Socialism and its consequences. The fact that Grass here expressly concedes the right to remembrance to the suffering of Germans as a consequence of the war, which was excluded during the past decades from official memory as politically incorrect, led to an exceptionally sharp public debate between advocates and opponents of the attitude of the author. Grass was even accused of encouraging the self-victimization of the Germans pretending a historical transcoding of the perpetrators into victims. Due to the strong emotional connotations of the topic, the reception of the novella when it was published was, of course, also strongly influenced by emotions. For this reason, the writer's narrative strategy is analyzed following a close reading of the text, the result of which makes clear that Grass is not defending revanchist exculpation tendencies, but explicitly rejects a possible request by Germans to stylize themselves as victims. Reflections based on theories about literary reception and emotion lead to the conclusion that only an inaccurate reading of the text, which is largely shaped by preconceived emotional pre-expectations of the text, allows for a misinterpretation which believes to see in Grass's novella the defense of an attempt of German self-victimization.
=538  \\$aapplication/pdf
=540  \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
=650  04$aGünter Grass
=650  04$aKrebsgang
=650  04$aNationalsozialismus
=650  04$aOpferdiskurs
=650  04$aEmotion
=650  04$aRezeption
=650  04$aGünter Grass
=650  04$aCrabwalk
=650  04$aNational Socialism
=650  04$aGerman self-victimization
=650  04$aemotion
=650  04$areception
=655  \4$atext (article)
=773  0\$tAnuari de filologia. Literatures contemporànies$x2014-1416$gNº. 7,  2017 (Ejemplar dedicado a: Anuari de Filologia. Literatures Contemporànies),  pags. 127-148
=856  40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=6213212
=995  \\$aBiblioteca Nacional de España