=LDR 04009nab a22004450u 4500 =001 spart11329 =003 ES-LoD =005 20230516100051.0 =008 230516s2018\\\\sp\\\\\\\\\\\\\\\\\\spa\\ =022 \\$a2328-1308 =041 \\$aspa =100 \\$aÁlvarez Sellers, María Rosa =245 \\$a«Pues reprimamos / esta fiera condición»: márgenes para la rebeldía en la tragedia del Siglo de Oro$cÁlvarez Sellers, María Rosa =260 \\$c2018 =520 3\$aThe tragedy arises in a Greek setting but evolves towards different thematic parameters according to the symbolic universe of the time that welcomes it, although its formal architecture remains in spite of the varying nuances of its readings. Thus, in the Golden Age, fatality will be replaced by responsibility, which no longer rests with the gods but with the characters. By endowing the hero with freewill, making him the creator of his destiny and making divinity a witness of faults and not an agent of them, the Baroque tragedy opened a space for rebellion that found different gaps through which it could enter. We will analyse those margins in which are evident the subversive behaviours of characters relegated by their unknown origin, such as Segismundo and Rosaura, in La vida es sueño, but also the reverse route, in which those who rebel from a privileged position that clashes with desire, are installed on the dangerous edge between thinking and acting, and they will pay a heavy price for transgressing social norms, such as Federico and Casandra in El castigo sin venganza, or the wives of Calderonian honour tragedies, confident that «no yerra quien piensa». It will end with an unexpected margin for rebellion because this rebellion comes from an unsuspected character: the gracioso who, directly contravening and challenging his comic essence, will eventually become involved in the tragedy. =538 \\$aapplication/pdf =540 \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI =650 04$aTragedia =650 04$aSiglo de Oro =650 04$arebeldes =650 04$amarginados =650 04$agracioso =650 04$aLa vida es sueño =650 04$aEl castigo sin venganza =650 04$aEl médico de su honra =650 04$aLa cisma de Inglaterra =650 04$aEl caballero de Olmedo =650 04$aTragedy =650 04$aGolden Age =650 04$aRebels =650 04$aMarginalized =650 04$agracioso La vida es sueño =650 04$aEl castigo sin venganza =650 04$aEl médico de su honra =650 04$aLa cisma de Inglaterra =650 04$aEl caballero de Olmedo =655 \4$atext (article) =773 0\$tHipogrifo: Revista de Literatura y Cultura del Siglo de Oro$x2328-1308$gVol. 6, Nº. 1, 2018, pags. 229-245 =856 40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=6548747 =995 \\$aBiblioteca Nacional de España