=LDR  03764nab a22003370u 4500
=001  spart13458
=003  ES-LoD
=005  20230516100051.0
=008  230516s2018\\\\sp\\\\\\\\\\\\\\\\\\spa\\
=022  \\$a0211-934X
=041  \\$aspa
=100  \\$aLara Garrido, José
=245  \\$aEl retrato y sus valores ónticos: sobre el prometeísmo en los retratos de poetas españoles del Siglo de Oro$cLara Garrido, José
=260  \\$c2018
=520  3\$aThe article opens with the analysis of the basis for certain discussions about art and its creative value (which springs from the human ability to imitate),  spread from Antiquity onwards. It then focuses on the different responses to the connection between fictor and pictor. The dialogue between literature and painting in portraiture from the Renaissance onwards allows for the spread of a discursive space about the portrait which is base on the idea of the Promethean concept. There is a specific formulation of portraiture in which poetry and painting merge in the historic variety of the statute of similarity. With varied responses, the portrayed poet addresses the painter (or the painting) in a panoply of variations that range from the maximum (the stereotype of absolute sameness) to the minimum (the absence of similarity and the loss of value of the painting). In this context, the article delineates very subtle variations on the archetype of similarity and the subsequent value of the artist as a sort of Deus occasionatus. Those variations go from Paravicino and Góngora to sor Juana Inés de la Cruz, including Anastasio Pantaleón de Ribera,Alonso de Alarcón, Gabriel de Bocángel, José de Valdivielso, Antonio de Solís o Álvaro Cubillo de Aragón. As it reinforces the secret of painting, the gaze is the object of the exercice of looking while emerging at the same time as an antological expression of knowledge about the image and art.
=538  \\$aapplication/pdf
=540  \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
=650  04$aCreative idea
=650  04$aportrait
=650  04$apoetry
=650  04$aPromethean
=650  04$aGolden Age
=650  04$aidea de creación
=650  04$aretrato
=650  04$apoesía
=650  04$aprometeísmo
=650  04$aSiglo de Oro
=655  \4$atext (article)
=773  0\$tAnalecta malacitana: Revista de la Sección de Filología de la Facultad de Filosofía y Letras$x0211-934X$gVol. 40,  2018-2019 (Ejemplar dedicado a: Analecta Malacitana),  pags. 9-62
=856  40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=7709966
=995  \\$aBiblioteca Nacional de España