=LDR 03116nab a22003370u 4500 =001 spart13684 =003 ES-LoD =005 20230516100051.0 =008 230516s2021\\\\sp\\\\\\\\\\\\\\\\\\spa\\ =022 \\$a1989-7383 =041 \\$aspa =100 \\$aMartínez Moreno, Eva María =245 \\$aLa determinación social de la imagen cinemática en el arte de la Primera Vanguardia. Gerardo Diego y Joris Ivens, un caso de analogía fílmico-poética$cMartínez Moreno, Eva María =260 \\$c2021 =520 3\$aThis article points out the social determination of the cinematic image as a direct cause of the analogy between the different arts during the period of the First Avant-Garde. In particular, it delves into the expressive reciprocity of Cinema and New Poetry confirmed by numerous theoretical and practical contributions, such as those of the ultraist poet Guillermo de Torre or those of the surrealist filmmaker Luis Buñuel. Likewise, the convenience of applying the concepts of cinema-eye (1919) and cinema-truth (1922), by the Russian director Dziga Vértov, and that of mental cinema (1989), by the Italian writer Italo Calvino to explain the aesthetic foundations and poetics of this osmosis, which the final comparative reading of the creationist poem "Lluvia" by the Spanish Gerardo Diego and the film of the same name by the Dutch Joris Ivens shows. =538 \\$aapplication/pdf =540 \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI =650 04$asociety =650 04$afirst avant-garde =650 04$acinematic image =650 04$acinema =650 04$apoetry =650 04$asociedad =650 04$aprimera vanguardia =650 04$aimagen cinemática =650 04$acine =650 04$apoesía =655 \4$atext (article) =773 0\$tCastilla: Estudios de Literatura$x1989-7383$gNº.9 12, 2021, pags. 63-100 =856 40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=7813461 =995 \\$aBiblioteca Nacional de España