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=022  \\$a2328-1308
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=100  \\$aMartínez Moreno, Eva María
=245  \\$aLa dimensión prefílmica de la imagen poética de las «Soledades» de Góngora$cMartínez Moreno, Eva María
=260  \\$c2022
=520  3\$aAlthough critics have highlighted on numerous occasions the innovative status of Góngora's poetic image in his Soledades (1613-1614), its temporal categories and its objective nature have not yet been analyzed in sufficient detail of the bibliography is dedicated to highlighting its plastic values that for some bring it closer to painting. For this reason, the objective of this work is to specify and exemplify, from a pragmatic perspective and as historical receivers, the formal mechanisms that Góngora uses in his Soledades to present his images as in the cinema.  With this, it will be shown that the Baroque poet anticipates the subsequent conquest of the seventh art by more than two centuries and that he is a precursor of the audiovisual narrative that will later characterize the cinema, a feature that also underlines its narrative character, although, as Lorca warned, Góngora tried to hide it by covering it of images, so we will base our analysis on the Lorca conference on the Góngora poetic image, on some film techniques transferred to the novel and on the concepts of Narratology
=538  \\$aapplication/pdf
=540  \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
=650  04$aGóngora
=650  04$aSoledades
=650  04$aimagen
=650  04$apoesía
=650  04$anarración
=650  04$aobjetividad
=650  04$atemporalidad
=650  04$acine
=650  04$arecepción histórica
=650  04$aPragmática
=650  04$aNarratología
=650  04$aGóngora
=650  04$aSoledades
=650  04$aImage
=650  04$aPoetry
=650  04$aNarrative
=650  04$aObjectivity
=650  04$aTemporality
=650  04$aCinema
=650  04$aHistorical reception
=650  04$aPragmatics
=650  04$aNarratology
=655  \4$atext (article)
=773  0\$tHipogrifo: Revista de Literatura y Cultura del Siglo de Oro$x2328-1308$gVol. 10,  Nº. 1,  2022,  pags. 667-682
=856  40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=8474465
=995  \\$aBiblioteca Nacional de España