=LDR  03397nab a22003610u 4500
=001  spart14436
=003  ES-LoD
=005  20230516100052.0
=008  230516s2022\\\\sp\\\\\\\\\\\\\\\\\\spa\\
=022  \\$a2697-2484
=041  \\$aspa
=100  \\$aMartos Sánchez, Josep Lluís
=245  \\$aLa Salve Regina de Juan del Encina y de Miquel Ortigues: la oración como traducción poética$cMartos Sánchez, Josep Lluís
=260  \\$c2022
=520  3\$aThis article studies the different techniques to elaborate poems in the Romance language from the Marian antiphon of the Salve Regina. It focuses on one of these literary construction techniques: the poetic translation of the hypotext, in rhymed verse, versus the gloss. The two Hispanic texts that are composed through this resource are identified: Juan del Encina's poem and Miquel Ortigués, the first in Spanish and the second in Catalan. Neither the one nor the other have been the subject of previous critical editions, at least of a certain philological solvency, which is why the critical edition of both is offered here. It is based on two author cancioneros as a base testimony, with implications for its textual quality. However, the poem by Miquel Ortigues is also transmitted through a printed edition, which contains important variants in its final part, which could raise doubts about its genuineness. Such variants are analyzed to conclude their apocryphal character; and they are contextualized in practices derived from the editorial process, such as interventionism alien to the author. 
=538  \\$aapplication/pdf
=540  \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
=650  04$aJuan del Encina
=650  04$aMiquel Ortigues
=650  04$acancionero
=650  04$aimprenta
=650  04$aecdótica
=650  04$aedición crítica
=650  04$aJuan del Encina
=650  04$aMiquel Ortigues
=650  04$acancionero
=650  04$aprinting
=650  04$aecdotics
=650  04$acritical edition
=655  \4$atext (article)
=773  0\$tSpecula: Revista de Humanidades y Espiritualidad$x2697-2484$gNº. 4,  2022,  pags. 191-211
=856  40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=8613934
=995  \\$aBiblioteca Nacional de España