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=001  spart6730
=003  ES-LoD
=005  20230516100049.0
=008  230516s2012\\\\sp\\\\\\\\\\\\\\\\\\spa\\
=022  \\$a0210-8178
=041  \\$aspa
=100  \\$aSánchez García, María Remedios
=245  \\$aTeatro para el pueblo o despertar al dormido. A propósito del comportamiento lorquiano en "La Barraca"$cSánchez García, María Remedios
=260  \\$bUniversidad de Extremadura: Servicio de Publicaciones$c2012
=520  3\$aIn this article we undertake the global analysis of the role played by the theater company «La Barraca» (1932-1937) in the society of the Spanish ii Republica. In a situation of economic, social, and cultural deprivation, Federico García Lorca�s initiative was an experiment to take the classical theater to the masses of forgotten villages in Spain. García Lorca �an innovator of the scene from inside shows his vision of theatre and the ability to understand what the audience wanted to see what they expected and what they could understand. He also demonstrated his ability to lead a project to develop their creativity and evinces his real commitment to drama and its structures (with a good selection of texts, music, scenery, etc.) in order to approach the theatre to an audience usually marginalized in Spain at the time.
=538  \\$aapplication/pdf
=540  \\$aLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
=650  04$aLa Barraca
=650  04$ateatro clásico
=650  04$acompromiso cultural
=650  04$aii República
=650  04$aLa Barraca
=650  04$aclassical theater
=650  04$acultural
=650  04$aii Republic
=655  \4$atext (article)
=773  0\$tAnuario de estudios filológicos$x0210-8178$gVol. 35,  2012,  pags. 201-213
=856  40$uhttps://dialnet.unirioja.es/servlet/oaiart?codigo=4103029
=995  \\$aBiblioteca Nacional de España