"Clarín" y Pedro Almodóvar en el espacio de confluencia del melodrama
- Statement of Responsibility:
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Osuna Montañez, Rafael
- Hlavní autor:
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Osuna Montañez, Rafael
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- Formát:
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Journal article
- Jazyk:
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Spanish; Castilian
- Forma / Žánr:
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text (article)
- Vydáno:
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2016
- V:
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Castilla: Estudios de Literatura ISSN 1989-7383 Nº. 7, 2016
- Předmětová hesla:
- Annotation:
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On being interviewed about his literary preferences, film director Pedro Almodóvar said: "I think Clarín must be a handy reference author. I have had the desire for a long time to turn one of his stories, "Doña Berta", into a movie. I´ll make it some day". This article explores the affinities of Almodóvar´s filmography with Clarín´s short novel, "Doña Berta" in light of the melodrama genre. The goal of this research is to pinpoint the common topics and characteristics that both authors take from melodrama to argue that their convergence is most clearly apparent in: the prominence of the characters´ emotions and the focus on their love conflicts; the strongly structured feminine approach with an emphasis on the remarkable role of mothers; a sentimentally intense language style; some sensationalized contents; the instrumentalization of empathy in order to move the reader/spectator´s feelings; the support for fragile characters; the use of fictional narratives as key constituent of individual identity; and finally, the past as an unresolved situation determining the present.
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| 520 | 3 | \ | |a On being interviewed about his literary preferences, film director Pedro Almodóvar said: "I think Clarín must be a handy reference author. I have had the desire for a long time to turn one of his stories, "Doña Berta", into a movie. I´ll make it some day". This article explores the affinities of Almodóvar´s filmography with Clarín´s short novel, "Doña Berta" in light of the melodrama genre. The goal of this research is to pinpoint the common topics and characteristics that both authors take from melodrama to argue that their convergence is most clearly apparent in: the prominence of the characters´ emotions and the focus on their love conflicts; the strongly structured feminine approach with an emphasis on the remarkable role of mothers; a sentimentally intense language style; some sensationalized contents; the instrumentalization of empathy in order to move the reader/spectator´s feelings; the support for fragile characters; the use of fictional narratives as key constituent of individual identity; and finally, the past as an unresolved situation determining the present. |
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| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| 650 | |a Almodóvar | ||
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| 650 | |a Clarin | ||
| 650 | |a Pedro Almodovar | ||
| 650 | |a melodrama | ||
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| 773 | |t Castilla: Estudios de Literatura |x 1989-7383 |g Nº. 7, 2016 | ||
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