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|a A Companion to Narrative Theory / |c edited and Introduction: Tradition and Innovation in Contemporary Narrative Theory (s. 1-16) by James Phelan, Peter J. Rabinowitz. |
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|a Malden ; |a Oxford ; |a Carlton : |b Blackwell Publishing, |c 2005. |
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|a xvi, 571 s. |
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1 | \ |
|a Blackwell companions to literature and culture ; |v vol. 33 |
505 |
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|t Histories of Narrative Theory (I): A Genealogy of Early Developments / |r David Herman, |g s. 19-35 |
505 |
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|t Histories of Narrative Theory (II): From Structuralism to the Present / |r Monika Fludernik, |g s. 36-59 |
505 |
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|t Ghosts and Monsters: On the (Im)Possibility of Narrating the History of Narrative Theory / |r Brian McHale, |g s. 60-71 |
505 |
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|t Resurrection of the Implied Author: Why Bother? / |r Wayne C. Booth, |g s. 75-88 |
505 |
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|t Reconceptualizing Unreliable Narration: Synthesizing Cognitive and Rhetorical Approaches / |r Ansgar F. Nünning, |g s. 89-107 |
505 |
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|t What Narratology and Stylistics Can Do for Each Other / |r Dan Shen, |g s. 136-149 |
505 |
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|t The Pragmatics of Narrative Fictionality / |r Richard Walsh, |g s. 150-164 |
505 |
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|t The "I" of the Beholder: Equivocal Attachments and the Limits of Structuralist Narratology / |r Susan S. Lanser, |g s. 206-219 |
505 |
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|t Neonarrative; or, How to Render the Unnarratable in Realist Fiction and Contemporary Film / |r Robyn R. Warhol, |g s. 220-231 |
505 |
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|t Self-consciouness as a Narrative Feature and Force: Tellers vs. Informants in Generic Design / |r Meir Sternberg, |g s. 232-252 |
505 |
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|t Genre, Repetition, Temporal Order: Some Aspects of Biblical Narratology, David H. Richter, |g s. 285-298 |
505 |
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|t Why Won't Our Terms Stay Put? The Narrative Communication Diagram Scrutinized and Historicized / |r Harry E. Shaw, |g s. 299-311 |
505 |
| |
|t The Changing Faces of Mount Rushmore: Collective Portraiture and Participatory National Heritage / |r Alison Booth, |g s. 337-355 |
505 |
| |
|t The Trouble with Autobiography: Cautionary Notes for Narrative Theorists / |r Sidonie Smith, Julia Watson, |g s. 356-371 |
505 |
| |
|t On a Postcolonial Narratology / |r Gerald Prince, |g s. 372-381 |
505 |
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|t Modernist Soundscapes and the Intelligent Ear: An Approach to Narrative Through Auditory Perception / |r Melba Cuddy-Keane, |g s. 382-398 |
505 |
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|t In Two Voices, or: Whose Life/Death/Story Is It, Anyway? / |r Shlomith Rimmon-Kenan, |g s. 399-412 |
505 |
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|t Narrative in and of the Law / |r Peter Brooks, |g s. 415-426 |
505 |
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|t Narrative and Digitality: Learning to Think With the Medium / |r Marie-Laure Ryan, |g s. 515-528 |
505 |
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|t The Future of All Narrative Futures / |r H. Porter Abbott, |g s. 529-541 |
520 |
2 | \ |
|a Soubor 35 esejů, s oddílem Prologue (s. 17-71) a s částmi: New Light on Stubborn Problems (s. 73-164); Revisions and Innovations (s. 165-281); Narrative Form and its Relationship to History, Politics, and Ethics (s. 283-412); Beyond Literary Narrative (s. 413-512); Epilogue (s. 513-541); - s biograficko-bibliografickými poznámkami o autorech (s. x-xvi), se slovníčkem (s. 542-551), s rejstříkem; - mj. s uvedenými eseji. |
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