Piika, taivaallintu ja agitaattoriakka. Kolme esitystä naisesta ja uskonnosta Eeva Joenpellon Lohja-sarjassa.
- Hlavní autor:
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Mahlamäki, Tiina kirjoittaja.
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- Formát:
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Journal article
- Jazyk:
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Finnish
- V:
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Elore. - ISSN 1456-3010. - Joensuu : Suomen kansantietouden tutkijain seura. - 11 (2004) : 2, s. [1-19]
Elore. - Suomen Kansantietouden Tutkijain Seura. - ISSN 1456-3010. - 11 (2004) : 2 - Seria:
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Teemanumeron artikkelit
- Subject persons???:
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Joenpelto, Eeva.
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- Předmětová hesla:
- Annotation:
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Abstract: The Maid, the Heavenly Bird and the Agitator : three representations of woman and religion in the Lohja-series by Eeva Joenpelto.
In this article I describe how the relationships between women and religion are represented in a set of books by Eeva Joenpelto. The Lohja-series, whose name comes from the story's milieu, is made up of four novels published in the 1970s. It describes a village in southern Finland during the 1920s and 1930s, i.e. the period between the two wars, the Civil War and the Winter War. From the novels, I take three female characters who represent different gendered presentations of religion. Mari, the faithful servant of God, derives her strength from Lutheranism, and thus endures the hard and endless daily grind in the kitchen. Sofi is a childlike bride of Christ who finds her place in the Pentacostal movement and expresses her religion in charismatic and passionate ways. Tilta is an agitator who has found her life's meaning in the Communist Party. My questions are the following: What kinds of possibilities for religious expression and fulfillment are available to women in the Lutheran Church and the Pentacostal movement? What is the place of religion in women's every-day life? How do women outline the categories of sacred and profane, of purity and impurity, or do they combine them? How does a commitment to political ideology offer a woman a meaning system analogical to religion?
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| 520 | \ | \ | |a Abstract: The Maid, the Heavenly Bird and the Agitator : three representations of woman and religion in the Lohja-series by Eeva Joenpelto. |
| 520 | \ | \ | |a In this article I describe how the relationships between women and religion are represented in a set of books by Eeva Joenpelto. The Lohja-series, whose name comes from the story's milieu, is made up of four novels published in the 1970s. It describes a village in southern Finland during the 1920s and 1930s, i.e. the period between the two wars, the Civil War and the Winter War. From the novels, I take three female characters who represent different gendered presentations of religion. Mari, the faithful servant of God, derives her strength from Lutheranism, and thus endures the hard and endless daily grind in the kitchen. Sofi is a childlike bride of Christ who finds her place in the Pentacostal movement and expresses her religion in charismatic and passionate ways. Tilta is an agitator who has found her life's meaning in the Communist Party. My questions are the following: What kinds of possibilities for religious expression and fulfillment are available to women in the Lutheran Church and the Pentacostal movement? What is the place of religion in women's every-day life? How do women outline the categories of sacred and profane, of purity and impurity, or do they combine them? How does a commitment to political ideology offer a woman a meaning system analogical to religion? |
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