stdClass Object
(
[LEADER] => 03759nam-a22003614u-4500
[001] => Array
(
[0] => pl000124096
)
[005] => Array
(
[0] => 20051026
)
[008] => Array
(
[0] => 040302s1991----\\\\\\\\\\\\\\\\\\\\pol
)
[040] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => IBL
[b] => pol
)
)
)
[100] => Array
(
[0] => stdClass Object
(
[ind1] => 1
[ind2] => \
[code] => stdClass Object
(
[a] => Axer, Jerzy
[4] => aut
)
)
)
[245] => Array
(
[0] => stdClass Object
(
[ind1] => 1
[ind2] => 0
[code] => stdClass Object
(
[a] => Filolog w teatrze /
[c] => Jerzy Axer.
)
)
)
[264] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => 1
[code] => stdClass Object
(
[a] => Warszawa :
[b] => Wydawnictwo Naukowe PWN,
[c] => 1991
)
)
)
[300] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => 220 s., [16] s. tabl.: il., faks., fot., mapy, pl., rys.
)
)
)
[520] => Array
(
[0] => stdClass Object
(
[ind1] => 2
[ind2] => \
[code] => stdClass Object
(
[a] => Wstęp. - Część pierwsza. Wśród scenariuszy greckich i łacińskich: Słowo i obraz w teatrze greckim i rzymskim: kłopoty czytelnika. Dwie ofiary, czyli pierwsze wejście Klitajmestry w "Agamemnonie" Ajschylosa. Teatr Dionizosa w Atenach - problem przestrzeni scenicznej. Nota o didaskaliach w tragedii greckiej. Menander na klasztornym dziedzińcu [o wystaw. "Samijki" Menandra w Calci (Włochy) przez Centro di Produzione Teatrale il Politecnico]. Wokół sceny i wokół mównicy (Uwagi o rzymskiej publiczności). Teatr w sądzie, czyli plautyński występ Cycerona [nt. wykorzystania w mowie Cycerona "Pro Q. Roscio" cytatu z Plauta]. Amfiteatr w teatrze, czyli prolog do "Fedry" Seneki. Od rzymskich venationes do "teatru etologicznego" [żywe zwierzęta w teatrze rzymskim]. Polski teatr jezuicki jako teatr polityczny. - Część druga. Polski dramat romantyczny: Bitwa pod Piramidami ("Kordian" [Juliusza Słowackiego], akt I, scena 1). Dzbanek Grzegorza ("Kordian", akt I, scena 3). Dwa dukaty z Najświętszą Panną ("Kordian", akt III, scena 4). Listek na osieci, czyli krwawe piętno na czole Balladyny ("Balladyna" [Juliusza Słowackiego], akt II, scena 2). Nadzieja i trucizny ("Fantazy" [Juliusza Słowackiego], akt III, scena 8). John Pym w Sparcie? ("Agezylausz" [Juliusza Słowackiego], akt I, scena 2). Norwida "Teatr bez teatru". Okruchy "Dziadów" części III [Adama Mickiewicza] w warsztacie pisarskim Henryka Sienkiewicza. Strindbergowski wariant Mickiewiczowskiego kołatka [August Strindberg: Droga do Damaszku]. - Aneks I: Pieśń Hipolita (Seneka - "Fedra", przekład Jerzy Axer). Aneks II: Cyprian Norwid - "Teatr bez teatru".
)
)
)
[590] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => książka w haśle rzeczowym
)
)
)
[610] => Array
(
[0] => stdClass Object
(
[ind1] => 2
[ind2] => 4
[code] => stdClass Object
(
[a] => Teatry obce, Centro di Produzione Teatrale il Politecnico we Włoszech
)
)
)
[650] => Array
(
[0] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Historia literatury polskiej, Literatura romantyzmu
)
)
[1] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Historia literatury polskiej, Ogólne materiały
)
)
[2] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Romantyzm
)
)
[3] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Teatr obcy
)
)
[4] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Teatr, dzieje sceniczne dramatu
)
)
[5] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Teatr, historia teatru
)
)
[6] => stdClass Object
(
[ind1] => 0
[ind2] => 4
[code] => stdClass Object
(
[a] => Teatr, socjologia teatru, popularyzacja teatru
)
)
[7] => stdClass Object
(
[ind1] => \
[ind2] => 7
[code] => stdClass Object
(
[a] => Polish literature
[2] => ELB-n
)
)
[8] => stdClass Object
(
[ind1] => \
[ind2] => 7
[code] => stdClass Object
(
[a] => Drama
[2] => ELB-g
)
)
)
[710] => Array
(
[0] => stdClass Object
(
[ind1] => 2
[ind2] => \
[code] => stdClass Object
(
[a] => Wydawnictwo naukowe PWN
[1] => http://viaf.org/viaf/128894870
)
)
)
[856] => Array
(
[0] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/pl000193377
[y] => reviewed by: Łanowski Jerzy, Teatr filologa, Życie Warszawy, Warszawa 1992, nr 135, s. 7
[4] => N
)
)
[1] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/pl000195080
[y] => reviewed by: Okoń Jan, [no title], Ruch Literacki, Kraków 1992, z. 4, s. 400-403
[4] => N
)
)
[2] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/pl000248759
[y] => reviewed by: Węgrzyniak Rafał, A philologist in the theatre, Le Theatre en Pologne = The Theatre in Poland, Warszawa 1993, nr 2, s. 43
[4] => N
)
)
[3] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/pl000251303
[y] => reviewed by: [no author], Teatralia 1991-1992, Pamiętnik Teatralny, Warszawa 1993, z. 1/2, s. 304
[4] => N
)
)
[4] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/pl000294243
[y] => reviewed by: Hernik-Spalińska Jagoda, Pochwała filologii. Jerzy Axer - filolog w teatrze, Ogród, Warszawa 1994, nr 1, s. 296-301
[4] => N
)
)
[5] => stdClass Object
(
[ind1] => 4
[ind2] => 2
[code] => stdClass Object
(
[u] => http://libri.ucl.cas.cz/Record/pl000350592
[y] => reviewed by: Goźliński Paweł, Starożytność źle obecna, Dialog, Warszawa 1995, nr 4, s. 131-140
[4] => N
)
)
)
[995] => Array
(
[0] => stdClass Object
(
[ind1] => \
[ind2] => \
[code] => stdClass Object
(
[a] => Polska Bibliografia Literacka
[b] => PBL 1989-2003: książki i czasopisma
)
)
)
)