Alternative theatre in Poland. 1954-1989
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- Statement of Responsibility:
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Kathleen M. Cioffi.
- Hlavní autor:
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Cioffi, Kathleen M. Autor
- Corporate Author:
- Formát:
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Kniha
- Jazyk:
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English
- Předmětová hesla:
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- Annotation:
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Introduction to the series. - List of plates. - Acknowledgements. * Introduction: Background in Polish theatre history. The paradox of censorship. * 1. The beginnings of Polish alternative theatre: The Polish October. - Postwar theatre.- Student. Other students theatres. - Kantor: A non-student alternative. - Fifties alternative theatre. * 2. Expansion, experimentation, de-politicization: The small stabilization. - The Polish theatre of the absurd. - Student theatre 1958-1968: Satiric theatres and cabarets. Dramatic theatres. Visual and pantomime theatre. Poetry theatres. - Grotowski: Between student and professional theatre. - Political retreat but artistic advancement. * 3. The full voice years: The events of 1968. - Mainstream auteur theatre. - Student theatre 1970-75: Wrocław: Teatr Kalambur. Kraków: Teatr STU. Poznań: The Theatre of the 8th Day. Łódź: Teatr 77. - Part of the worldwide alternative theatre movement. * 4. Decline but not quite fall: KOR, Solidarity, Martial Law. - Mainstream theatre becomes politicized. - Alternative theatre 1976-1989: The generation of '68: The Theatre of the 8th Day. The KOR generation: Teatr Provisorium. The martial law generation: The Orange Alternative. - part of decline of the worldwide alternative theatre. - Movement? * 5. The avant-garde of the alternative: Word experiments: Pleonazmus. - Visual theatre / Performance art experiments: Scena Plastyczna. Akademia Ruchu. - Experiments in the antropology of theatre Gardzienice. - Perhaps all is not lost, after all. * Conclusion: The aftermath of 1989.