Dylemat jednego wyjścia. Absurd w dramacie u schyłku realnego socjalizmu

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                            [a] => Dylemat jednego wyjścia. Absurd w dramacie u schyłku realnego socjalizmu /
                            [c] => Krzysztof Pleśniarowicz.
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                            [a] => Kraków : 
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                            [a] => Wschodni teatr absurdu: między pustką egzystencji a komedią świadomości. - Znaczenie absurdu: międzi ontologią a genologią. Absurd na Wschodzie i na Zachodzie: pokrewieństwa i przyległości. Wspólnota doświadczeń: Mrożek, Havel, Orkeny... Czechow. * Lata osiemdziesiąte: dylemat jednego wyjścia - Dramat rosyjski: samobójcza ucieczka od wyroku istnienia[Nikołaj Erdman, Wieniedikt Jerofiejew, Władimir Gubariew]. - Dramat czeski: parodia oczyszczającej ofiary [J.A. Pitinsky, Pavel Kohout, Vaclav Havel]. - Dramat polski: ucieczka w obłęd [Sławomir Mrożek, Tadeusz Słobodzianek, Marek Koterski]. - Dramat węgierski: alkoholowa blokada pamięci [Gyorgy Spiro, Mihaly Kornis, Arpad Goncz]. * Wytrącenie z istnienia: kryzys społeczny w formie dramatycznej.
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                            [y] => reviewed by: [no author], [no title], Alma Mater, Kraków 2000, nr 20, s. 61
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