Le baroque et le classique dans le theatre espagnol et francais du XVIIe siecle. Calderon imite par Thomas Corneille

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                            [c] => Maria Falska.
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                            [a] => Lublin : 
                            [b] => Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej,
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                            [a] => Avant-propos. * I. Le theatre espagnol dans la dramaturgie francais du XVII - etat actuel de la recherche. II. Le classique et le baraoque dans le theatre - essai d'une definition. III. Les categories du baroque et du classique dans les comedies de Calderon et ses imitations par Thomas Corneille. IV. Analyse structurale des pieces: 1. Breves revue des methodes contemporaines de l'analyse theatrale. 2. Le classique et le baroque dans la structure situationelle. 3. Les categories de la simplicite et de la coherence dans le deroulement de l'action. * Conclusion finales.
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                            [a] => Calderón de la Barca, Pedro
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                            [y] => reviewed by: Kulak Ewa, [no title], Estudios Hispanicos, Wrocław 2002, nr 10 (2459), s. 142-145
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