Paisajes subjetivos en Hasta ya no ir, de beatriz García-Huidobro

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                            [a] => The narrative work of the writer Beatriz García-Huidobro (Santiago de Chile, 1960) travels through a landscape of subjectivities that get close to the abyss of the almost total annihilation. Abuse and misery are recreated in her work through the construction of the "minimal lives" of female subjects, very often children, which announce their subjective precarity by silencing it. Silence, indeed, resounds in the work of the Chilean author, a silence that reflects on the (im)possibilities of a transition into new forms of identity. The aim of this article is the description of the landscapes that make up the subjective configuration of the main character in her first novel, Hasta ya no ir (1996), along with the reflection, even within precarity and silence, on the possibility of emergence of alternative identities.
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                            [t] => Sociocriticism
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                            [g] => Vol. 32,  Nº. 1,  2017 (Ejemplar dedicado a: Memoria Histórica/Transiciones),  pags. 295-320
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