El romance en pliego de las princesas encantadas (s. XVIII) y las variantes hispánicas de dos cuentos maravillosos: Three Stolen Princesses (ATU, 301) y Goldener (ATU, 314)
- Statement of Responsibility:
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Beltrán Llavador, Rafael
- Hlavní autor:
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Beltrán Llavador, Rafael
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- Formát:
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Journal article
- Jazyk:
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Spanish; Castilian
- Forma / Žánr:
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text (article)
- Vydáno:
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2017
- V:
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Boletín de Literatura Oral ISSN 2173-0695 Nº. 7, 2017, pags. 9-42
- Předmětová hesla:
- Annotation:
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The Spanish ballad Las princesas encantandas y delealtad entre hermanos was printed as a chapbook with three parts in the 18th century and throughout the 19th century. This paper aims to analyze this ballad as a folktale and fairy tale which includes sequences and folk motifs found in ATU 301 (The Three Stolen Princesses, better known as John the Bear in Hispanic versions) and ATU 314 (Goldener). Its plot will be compared with a tale in One Thousand and One Nights (modern tale, introduced by Mardrus in the 1889 version), and with three Hispanic tales: El caballo de siete colores, written by Juan de Ariza (1848), Mercè Mercè, folktale collected by Antoni Alcover (1896), and the Philippine awit (versified story) Juan Tiñoso. The comparison makes it possible to raise a hypothesis about the relationship between all these tales and the contexts of distribution of Las princesas encantadas.
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| 245 | \ | \ | |a El romance en pliego de las princesas encantadas (s. XVIII) y las variantes hispánicas de dos cuentos maravillosos: Three Stolen Princesses (ATU, 301) y Goldener (ATU, 314) |c Beltrán Llavador, Rafael |
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| 520 | 3 | \ | |a The Spanish ballad Las princesas encantandas y delealtad entre hermanos was printed as a chapbook with three parts in the 18th century and throughout the 19th century. This paper aims to analyze this ballad as a folktale and fairy tale which includes sequences and folk motifs found in ATU 301 (The Three Stolen Princesses, better known as John the Bear in Hispanic versions) and ATU 314 (Goldener). Its plot will be compared with a tale in One Thousand and One Nights (modern tale, introduced by Mardrus in the 1889 version), and with three Hispanic tales: El caballo de siete colores, written by Juan de Ariza (1848), Mercè Mercè, folktale collected by Antoni Alcover (1896), and the Philippine awit (versified story) Juan Tiñoso. The comparison makes it possible to raise a hypothesis about the relationship between all these tales and the contexts of distribution of Las princesas encantadas. |
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| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
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| 995 | \ | \ | |a Biblioteca Nacional de España |
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