Subjetividad femenina y mujer tachada en No me esperen en abril de Alfredo Bryce Echenique
- Statement of Responsibility:
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Frau-Ardon, Michele
- Hlavní autor:
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Frau-Ardon, Michele
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- Formát:
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Journal article
- Jazyk:
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Spanish; Castilian
- Forma / Žánr:
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text (article)
- Vydáno:
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2017
- V:
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Sociocriticism ISSN 0985-5939 Vol. 32, Nº. 2, 2017 (Ejemplar dedicado a: Sujeto Cultural/Leer las Américas), pags. 117-150
- Předmětová hesla:
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- Annotation:
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Drawing from semiotics, we intend to question the indigenous identity discourse through two representations of women, personages of the fiction, both servants in Lima in Alfredo Bryce Echenique's novel Don't Expect Me in April (1995). Revolving on gender theories as well as on the course of history, the identity discussion points towards a submission versus subversion dialectic. The discourse of the "Marginalized other" comes to correlate the stereotyped representation of the indigenous woman physically humiliated which, on a symbolic level, is a sign of cultural violence against indigenous peoples in the Americas. In contrast, we see the emergence of another discourse rehabiliting the indigenous woman. And since it originated right in the mutating Lima of the fifties, through a process called 'the cholificación' it ends up being a layer of the cultural colonial subject.
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| 520 | 3 | \ | |a Drawing from semiotics, we intend to question the indigenous identity discourse through two representations of women, personages of the fiction, both servants in Lima in Alfredo Bryce Echenique's novel Don't Expect Me in April (1995). Revolving on gender theories as well as on the course of history, the identity discussion points towards a submission versus subversion dialectic. The discourse of the "Marginalized other" comes to correlate the stereotyped representation of the indigenous woman physically humiliated which, on a symbolic level, is a sign of cultural violence against indigenous peoples in the Americas. In contrast, we see the emergence of another discourse rehabiliting the indigenous woman. And since it originated right in the mutating Lima of the fifties, through a process called 'the cholificación' it ends up being a layer of the cultural colonial subject. |
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| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
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| 650 | |a No me esperen en abril | ||
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| 650 | |a cultural colonial subject | ||
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| 650 | |a subjetividad femenina | ||
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| 650 | |a sujeto cultural colonial | ||
| 650 | |a mujer | ||
| 650 | |a Alfredo Bryce Echenique | ||
| 650 | |a No me esperen en abril | ||
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| 773 | |t Sociocriticism |x 0985-5939 |g Vol. 32, Nº. 2, 2017 (Ejemplar dedicado a: Sujeto Cultural/Leer las Américas), pags. 117-150 | ||
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| 995 | \ | \ | |a Biblioteca Nacional de España |
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