Fantasía, sueño y deseo en la obra de David Lynch y Haruki Murakami
- Statement of Responsibility:
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Vaca Delgado, Violeta
- Hlavní autor:
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Vaca Delgado, Violeta
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- Formát:
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Journal article
- Jazyk:
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Spanish; Castilian
- Forma / Žánr:
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text (article)
- Vydáno:
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2018
- V:
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Impossibilia ISSN 2174-2464 Nº. 16, 2018 (Ejemplar dedicado a: Ficción, fantasía, memoria, migración), pags. 76-92
- Předmětová hesla:
- Annotation:
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David Lynch and Haruki Murakami are two of the contemporary authors whohave succeeded the most at creating their own universe. As a starting point, this paperanalyses how their works develop the concept of the fantastic, as it was theorized by TzvetanTodorov. After attending to the convergences between both authors, this paper suggests somedifferences in the treatment of the quotidian: Murakami seems to find some gratification in it,whereas Lynch seems to consider satisfaction hardly possible. Finally, dream and desire aretaken as topics that would lead to the traumatic collision with the lacanian real, which breaksinto the symbolic order that would constitute our subjectivity and reality as we experience it
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| 520 | 3 | \ | |a David Lynch and Haruki Murakami are two of the contemporary authors whohave succeeded the most at creating their own universe. As a starting point, this paperanalyses how their works develop the concept of the fantastic, as it was theorized by TzvetanTodorov. After attending to the convergences between both authors, this paper suggests somedifferences in the treatment of the quotidian: Murakami seems to find some gratification in it,whereas Lynch seems to consider satisfaction hardly possible. Finally, dream and desire aretaken as topics that would lead to the traumatic collision with the lacanian real, which breaksinto the symbolic order that would constitute our subjectivity and reality as we experience it |
| 538 | \ | \ | |a application/pdf |
| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| 650 | |a Murakami | ||
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| 650 | |a Todorov | ||
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| 650 | |a Murakami | ||
| 650 | |a Lynch | ||
| 650 | |a the fantastic | ||
| 650 | |a psychonalysis | ||
| 650 | |a interartistic comparatism | ||
| 650 | |a Todorov | ||
| 650 | |a Žižek | ||
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| 773 | |t Impossibilia |x 2174-2464 |g Nº. 16, 2018 (Ejemplar dedicado a: Ficción, fantasía, memoria, migración), pags. 76-92 | ||
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| 995 | \ | \ | |a Biblioteca Nacional de España |
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