El Simbolismo del grito en Jamás, nadie, de Beatriz Rivas
- Statement of Responsibility:
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Manríquez Buendía, Maritza
- Hlavní autor:
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Manríquez Buendía, Maritza
We do not have a clear identifier or note about this person. You can try to get more information using external search engines:
- Formát:
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Journal article
- Jazyk:
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Spanish; Castilian
- Forma / Žánr:
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text (article)
- Vydáno:
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2018
- V:
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Impossibilia ISSN 2174-2464 Nº. 16, 2018 (Ejemplar dedicado a: Ficción, fantasía, memoria, migración), pags. 28-51
- Předmětová hesla:
- Annotation:
-
Here and now, there are writings that are configured under the dynamic ofa shout. That shout is present in Mexican writer Beatriz Rivas' Jamás, nadie (2017). Thetheme is the migration of Chinese to the north of Mexico in search of a better life. Thetrigger: the envy of the Mexicans which resulted in the savage slaughter of Chinese. Thisarticle investigates the importance of the shout, as a symbolic resource that represents thesilent tragedy suffered by the protagonists of this novel, as well as their endure. To this end,we frame it into the hermeneutics of Paul Ricoeur and Andrés Ortiz-Osés, as well as thereflections around the shout of the Italian psychoanalyst Massimo Recalcati, the analysis ofthe violence by the French philosopher René Girard, and the conceptualization of the painthat the Mexican writer Cristina Rivera Garza establishes
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| 520 | 3 | \ | |a Here and now, there are writings that are configured under the dynamic ofa shout. That shout is present in Mexican writer Beatriz Rivas' Jamás, nadie (2017). Thetheme is the migration of Chinese to the north of Mexico in search of a better life. Thetrigger: the envy of the Mexicans which resulted in the savage slaughter of Chinese. Thisarticle investigates the importance of the shout, as a symbolic resource that represents thesilent tragedy suffered by the protagonists of this novel, as well as their endure. To this end,we frame it into the hermeneutics of Paul Ricoeur and Andrés Ortiz-Osés, as well as thereflections around the shout of the Italian psychoanalyst Massimo Recalcati, the analysis ofthe violence by the French philosopher René Girard, and the conceptualization of the painthat the Mexican writer Cristina Rivera Garza establishes |
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| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| 650 | |a grito | ||
| 650 | |a símbolo | ||
| 650 | |a simbolismo | ||
| 650 | |a hermenéutica | ||
| 650 | |a violencia | ||
| 650 | |a textos depersecución | ||
| 650 | |a dolor | ||
| 650 | |a Beatriz Rivas | ||
| 650 | |a México | ||
| 650 | |a China | ||
| 650 | |a migración | ||
| 650 | |a shout | ||
| 650 | |a symbol | ||
| 650 | |a symbolism | ||
| 650 | |a hermeneutics | ||
| 650 | |a violence | ||
| 650 | |a texts of persecution | ||
| 650 | |a pain | ||
| 650 | |a Beatriz Rivas | ||
| 650 | |a Mexico | ||
| 650 | |a China | ||
| 650 | |a migration | ||
| 655 | \ | 4 | |a text (article) |
| 773 | |t Impossibilia |x 2174-2464 |g Nº. 16, 2018 (Ejemplar dedicado a: Ficción, fantasía, memoria, migración), pags. 28-51 | ||
| 856 | 4 | |u https://dialnet.unirioja.es/servlet/oaiart?codigo=6710964 | |
| 995 | \ | \ | |a Biblioteca Nacional de España |
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