El espectador cautivo: Cervantes comunica con el público

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                            [a] => In this essay, the Cervantine comedia El gallardo español will be analyzed, focusing on the relationship between the actor-character and the spectator. Through the dramatic devices, among them the aside, monologue, soliloquy, and metatheater, the actors communicate with the audience. In El gallardo español, these dramatic devices create a mediating and communicative space between the actor and the spectator: they shorten the distance, or break the "fourth wall", between the actor and the spectator, and they create a more open ambience in the play, forcing the spectator to feel as if he were a captive in the dramatic world.
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                            [t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
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                            [g] => Vol. 6,  Nº. 2,  2018,  pags. 87-99
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