Facetas de la melancolía en la novela "Otoño" de Ali Smith
- Statement of Responsibility:
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Hernández García, María Luisa
- Hlavní autor:
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Hernández García, María Luisa
We do not have a clear identifier or note about this person. You can try to get more information using external search engines:
- Formát:
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Journal article
- Jazyk:
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Spanish; Castilian
- Forma / Žánr:
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text (article)
- Vydáno:
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2020
- V:
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Cuadernos de investigación filológica ISSN 0211-0547 Tomo 48, 2020, pags. 85-95
- Předmětová hesla:
- Annotation:
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Ali Smith is a great creator of melancholic atmospheres. In her novel Autumn we are submerged in the nostalgia of life by a hundred years old man, Daniel. A nostalgia that acquires political aspects in the young Elisabeth, who is facing the loss of rights and liberties in the Brexit Great Britain. We then reflect on her childhood memories and Daniel's recurrent nostalgia for his dead sister and the forgotten painter Pauline Boty. These situations are framed by the autumn that hangs over them, but allows the emergence of shades of colour from which the desolate environment can be surmounted. I examine this kaleidoscope of melancholic aspects, which concludes with the modern melancholy, posited by Bartra, and the consideration of the transcription with the ink of melancholy that, as Starobinski says, transforms darkness into light.
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| 520 | 3 | \ | |a Ali Smith is a great creator of melancholic atmospheres. In her novel Autumn we are submerged in the nostalgia of life by a hundred years old man, Daniel. A nostalgia that acquires political aspects in the young Elisabeth, who is facing the loss of rights and liberties in the Brexit Great Britain. We then reflect on her childhood memories and Daniel's recurrent nostalgia for his dead sister and the forgotten painter Pauline Boty. These situations are framed by the autumn that hangs over them, but allows the emergence of shades of colour from which the desolate environment can be surmounted. I examine this kaleidoscope of melancholic aspects, which concludes with the modern melancholy, posited by Bartra, and the consideration of the transcription with the ink of melancholy that, as Starobinski says, transforms darkness into light. |
| 538 | \ | \ | |a application/pdf |
| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| 650 | |a Ali Smith | ||
| 650 | |a Bachelard | ||
| 650 | |a Pauline Boty | ||
| 650 | |a Brexit | ||
| 650 | |a melancolía | ||
| 650 | |a nostalgia | ||
| 650 | |a écfrasis | ||
| 650 | |a Ali Smith | ||
| 650 | |a Bachelard | ||
| 650 | |a Pauline Boty | ||
| 650 | |a Brexit | ||
| 650 | |a melancholy | ||
| 650 | |a nostalgia | ||
| 650 | |a ekphrasis | ||
| 650 | |a Ali Smith | ||
| 650 | |a Bachelard | ||
| 650 | |a Pauline Boty | ||
| 650 | |a Brexit | ||
| 650 | |a mélancolie | ||
| 650 | |a nostalgie | ||
| 650 | |a ekphrasis | ||
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| 773 | |t Cuadernos de investigación filológica |x 0211-0547 |g Tomo 48, 2020, pags. 85-95 | ||
| 856 | 4 | |u https://dialnet.unirioja.es/servlet/oaiart?codigo=7733473 | |
| 995 | \ | \ | |a Biblioteca Nacional de España |
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