Rosalía Pipaón en "La de Bringas" (1884): un diamante bien tallado
- Statement of Responsibility:
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Cantero García, Víctor
- Hlavní autor:
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Cantero García, Víctor
We do not have a clear identifier or note about this person. You can try to get more information using external search engines:
- Formát:
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Journal article
- Jazyk:
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Spanish; Castilian
- Forma / Žánr:
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text (article)
- Vydáno:
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2020
- V:
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Cuadernos de investigación filológica ISSN 0211-0547 Tomo 47, 2020, pags. 55-75
- Předmětová hesla:
- Annotation:
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The ability of Galdós to create polyhedral characters is evident in the case of Rosalía Pipaón, in La de Bringas (1884). The present article tries to demonstrate the ability of the novelist to offer to the reader the different faces that conform the personality of Rosalía. Galdós´skill to cut, as an expert goldsmith, the angles and edges of this diamond ‒ Rosalía - amazes us. Undoubtedly Galdós provides us readers, trough the actions, attitudes, behaviors, judgments, opinions and criteria of Bringas´ wife, with a global vision of that mesocracy of "I want and I can not". Rosalía, rebellious and ambitious female, is transformed into a perfect kaleidoscope, whose mirror game allow us to know the pretentions of that middle class plunged into appearances
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| 520 | 3 | \ | |a The ability of Galdós to create polyhedral characters is evident in the case of Rosalía Pipaón, in La de Bringas (1884). The present article tries to demonstrate the ability of the novelist to offer to the reader the different faces that conform the personality of Rosalía. Galdós´skill to cut, as an expert goldsmith, the angles and edges of this diamond ‒ Rosalía - amazes us. Undoubtedly Galdós provides us readers, trough the actions, attitudes, behaviors, judgments, opinions and criteria of Bringas´ wife, with a global vision of that mesocracy of "I want and I can not". Rosalía, rebellious and ambitious female, is transformed into a perfect kaleidoscope, whose mirror game allow us to know the pretentions of that middle class plunged into appearances |
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| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
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| 650 | |a Galdosian ability | ||
| 650 | |a polyhedral characters | ||
| 650 | |a ambition | ||
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| 650 | |a mesocracy | ||
| 650 | |a La de Bringas | ||
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| 650 | |a ambition | ||
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| 650 | |a mésocratie | ||
| 650 | |a celle de Bringas | ||
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| 995 | \ | \ | |a Biblioteca Nacional de España |
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