Beyond linguistic Barriers: The Musical Fugue Structure of Thomas Pynchon's "Entropy"

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                            [a] => Beyond linguistic Barriers: The Musical Fugue Structure of Thomas Pynchon's "Entropy"
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                            [a] => Una de las historias cortas de Pynchon, Entropy, metaforiza la preocupación modernista sobre la relatividad del lenguaje a la hora de transcribir la realidad externa. Para superar las dificultades que el lenguaje impone en electo de la comunicación, Pynchon propone la música como código alternativo al mismo La estructura musical de Entropy, mediante un coherente juego entre forma y contenido, intenta resolver la falta de unión entre significante y significado lingüísticos. La historia sigue la estructura de una fuga: exposición, desarrollo y stretto. Estas tres partes se desarrollan mediante la alternancia de dos voces /niveles: la fiesta de Mulligan (el sujeto de la fuga), y la casa de Callisto (la respuesta en contrapunto). Como acompañamiento musical, la lluvia, canciones, los ruidos de la calle, y voces secundarias modulan el desarrollo de la narrativa. A nivel textual, el narrador orquesta y dirige esta complicada estructura de sonidos, voces y otras referencias musicales.
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                            [a] => LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
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                            [g] => Nº 17,  1991,  pags. 127-140
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