Paria urbain: Espace, mobilité et illusions

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                            [a] => Cet article se fixe pour objectif de démontrer que la mobilité a toujours été  rendue difficile pour le sujet africain. Tandis que le colonisé était cantonné dans le quartier  indigène où il lui était interdit de se mouvoir ou d'accéder comme il le souhaitait à l'espace du  maître, le sujet postcolonial qui vit dans ce qu'on appelle le village planétaire est confiné chez  lui par les lois sur l'immigration. A partir du roman Le vieux nègre et la médaille de Ferdinand  Oyono (2005) et du film documentaire Clandestins : ils traversent l'enfer pour venir vivre en  France (Comiti et alii, 2013), nous tenterons de montrer comment la colonisation a  conditionné le sujet africain à migrer vers l'espace métropolitain, un illusoire eldorado. En  prenant en compte les modalités de déploiement des personnages fictifs et réels, nous  montrerons qu'un syndrome colonial affecte la gestion de l'espace dans le monde globalisé où  l'Africain n'est pas toujours le bienvenu.
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                            [g] => Nº. 19,  2020 (Ejemplar dedicado a: Complejidades poscoloniales sobre la territorialidad y la desterritorialidad (trans)nacionales en las producciones culturales africanas),  pags. 51-71
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