«Negro poeta debió de ser el que tan negro romance hizo»: ¿poetas negros en el Siglo de Oro?

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                            [a] => The Golden Age coincides with the most dreadful forced migration in  early modern history: the slave trade. According to the most recent figures, 12.5 million  enslaved Africans were boarded for the Americas between 1500-1867 (Richardson  and Ribeiro da Silva, 2015). The city of Seville in Spain was particularly relevant  in the slave trade, as one of the main transfer sites. From 1490 to at least 1700, many  Africans enslaved in the Gulf of Guinea were shipped to Seville, as well as Lisbon,  and then later to America, or remained in Europe as domestic and household slaves.  The number of sub-Saharan Africans in Seville fluctuated over the sixteenth and  seventeenth centuries and despite being an unknown part of our history, it had an  important cultural impact. In fact, the literary and pictorial impact in the Spanish  Golden Age has not received sufficient scholarly attention, with the exception being  that of studies on the stereotypical representations of black Africans in literary  texts, particularly in Golden Age drama. This article explores this topic further and  investigates the oral production of enslaved black Africans in Spain. It uncovers  several indirect references of their oral tradition, particularly sourced from the black  brotherhoods widely spread at the time. Also, it examines a significant number of  references to black people as poets, that is, as composers of lyrics and songs. The  data collected here reevaluates the cultural agency of black Africans in the literary  history of the Golden Age
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                            [t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
                            [x] => 2328-1308
                            [g] => Vol. 9,  Nº. 1,  2021,  pags. 131-142
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