Habilidades dialécticas y poéticas de los personajes femeninos en el teatro calderoniano: el caso de las glosas de romances

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                            [a] => One of the most fascinating aspects of female protagonism in Calderonian theatre is the dialectical capacity exhibited by the damas, their mastery  of argumentation and the expressive subtleties of language in the dialogical exchanges they have with male characters. An interesting aspect to study is the  relationship between the discursive situation of these exchanges and the stanza  used. This article specifically analyzes the case of the romance glosses, recited in  dialogue between a dama and a gallant, in El acaso y el error; No hay burlas con el  amor; Antes que todo es mi dama; Las manos blancas no ofenden; El pintor de su  deshonra; Darlo todo y no dar nada; La púrpura de la rosa. Their placement in the  dramatic action, their characteristics and structure depend largely on the genre to  which the work in which they are framed can be assigned. In all of them, however,  the essential role of the female interlocutor is appreciated, and her ingenious ability  to adapt the cited text to the discursive intentions and the arguments with which  she substantiates her replies
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                            [t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
                            [x] => 2328-1308
                            [g] => Vol. 9,  Nº. 1,  2021,  pags. 1061-1075
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