El escenario vacío de Shakespeare: condiciones de representación y dramaturgia.

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                            [a] => Comparadas con las del teatro actual, las condiciones de representación del teatro público isabelino asombran por su precariedad de medios: escenario vacío, casi nula escenografía, básico material de utilería, mínimos y rudimentarios "efectos especiales", sólo actores hombres, funciones con luz natural, restricciones estacionarias, horarias y de calendario. El artículo sugiere que dicha precariedad de medios fue una de las causas que explican la calidad artística de este teatro, y el de Shakespeare en particular, mientras caracteriza y contrasta las señaladas condiciones de representación con ejemplos de dos elementos precisos del corpus shakespeareano: a) los comentarios sobre el teatro y la actividad teatral que enuncian diversos personajes; y b) escenas y episodios donde la verosimilitud de lo representado depende exclusivamente de la palabra puesta en acción.
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                            [g] => Nº. 13,  2021 (Ejemplar dedicado a: NÚMERO 13),  pags. 77-93
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