«It's good because it's awful». Joachim Lottmann o cómo el camp formula su denuncia

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                            [a] => La idea de lo camp, desarrollada por la filósofa norteamericana Susan Sontag en la segunda mitad del siglo XX, ha sido tradicionalmente asociada al ámbito de lo queer, la estética kitsch o lo extravagante. Sin embargo, el autor alemán Joachim Lottmann hace servir este gusto por la afectación y la exageración para construir una cruda denuncia ligada a la actualidad gracias a la aplicación de las diferentes premisas que recogió la autora estadounidense en su ensayo Notes on Camp: glorificación del personaje, ironía, ingenuidad, la capacidad de provocar atracción y repulsión al mismo tiempo, así como desarrollar un discurso capaz de ser serio frente a lo frívolo o atacar la seriedad desde la frivolidad. La combinación de estos rasgos consigue hacer de la narrativa de Lottmann una completa y compleja denuncia de la sociedad actual, convirtiendo a las novelas Der Geldkomplex (2009) y Endlich Kokain (2014) en sus dos máximos exponentes: la creciente aporofobia en la Alemania del siglo XXI, la capitalización del mundo del arte y el dictado de las apariencias suponen los temas transversales de dos novelas en las que el camp despliega sus medios para conseguir enarbolar una denuncia plausible y comprometida con su contexto.
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                            [g] => Nº 71,  2021,  pags. 403-431
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