El campo cultural de la segunda mitad del siglo XIX y su articulación con la Historia (Freud, Saussure, Poética, Pintura abstracta)
- Statement of Responsibility:
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Cros, Edmond
- Hlavní autor:
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Cros, Edmond
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- Formát:
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Journal article
- Jazyk:
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Spanish; Castilian
- Forma / Žánr:
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text (article)
- Vydáno:
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Universidad de Granada 2011
- V:
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Sociocriticism ISSN 0985-5939 Vol. 26, Nº. 1-2, 2011 (Ejemplar dedicado a: Dossier Edmond Cros), pags. 69-109
- Předmětová hesla:
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- Annotation:
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By 1850-1860, the research into the Physiological Optics, particularly by Hermann von Helmholtz aroused a radically new definition of the perception's process, causing a new examination of a set of problems about the visible world. This contribution is dealing with the way how a scientific discourse's major structure (Impression vs Sensation) is linking together the infraestructure and the cultural field of the concerned times (structuralism, psychoanalysis, semiology, abstract art, Symbolism's Poetry), through an intermediate field, The Scientific Aesthetic (L'Esthétique scientifique).
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| 245 | \ | \ | |a El campo cultural de la segunda mitad del siglo XIX y su articulación con la Historia (Freud, Saussure, Poética, Pintura abstracta) |c Cros, Edmond |
| 260 | \ | \ | |b Universidad de Granada |c 2011 |
| 520 | 3 | \ | |a By 1850-1860, the research into the Physiological Optics, particularly by Hermann von Helmholtz aroused a radically new definition of the perception's process, causing a new examination of a set of problems about the visible world. This contribution is dealing with the way how a scientific discourse's major structure (Impression vs Sensation) is linking together the infraestructure and the cultural field of the concerned times (structuralism, psychoanalysis, semiology, abstract art, Symbolism's Poetry), through an intermediate field, The Scientific Aesthetic (L'Esthétique scientifique). |
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| 650 | |a Structuralism | ||
| 650 | |a Physiological Optic | ||
| 650 | |a Impression | ||
| 650 | |a Sensation | ||
| 650 | |a Instancia intermediaria | ||
| 650 | |a arte abstracto | ||
| 650 | |a poesía simbolista | ||
| 650 | |a Freud | ||
| 650 | |a Saussure | ||
| 650 | |a estructuralismo | ||
| 650 | |a óptica fisiológica | ||
| 650 | |a Instance intermédiaire | ||
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| 650 | |a poésie symboliste | ||
| 650 | |a Saussure | ||
| 650 | |a Freud | ||
| 650 | |a structuralisme | ||
| 650 | |a optique physiologique | ||
| 650 | |a impression | ||
| 650 | |a sensation | ||
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| 773 | |t Sociocriticism |x 0985-5939 |g Vol. 26, Nº. 1-2, 2011 (Ejemplar dedicado a: Dossier Edmond Cros), pags. 69-109 | ||
| 856 | 4 | |u https://dialnet.unirioja.es/servlet/oaiart?codigo=8259337 | |
| 995 | \ | \ | |a Biblioteca Nacional de España |
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