El difícil equilibrio entre eros y tánatos en el discurso cultural (arte y literatura) de Occidente

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                            [a] => This paper  offers a  comparatist  approach  based  on  a  contrastive study of literary texts and other types of cultural discourse pertaining to the same cultural framework. It centers on the development of the profound and mysterious relationship between the human biophilic principle and the contrary destructive principle, to be found in Western cultural discourse in general and in  literary and artistic discourse in particular. belief in the mysterious union of Eros and Thanatos as embodied in the mother goddesses of ancient Mediterra- nean cultures disappeared with the triumph of Christianity. Since that time, the history of Western thought has been trying to overcome the imbalance imposed by Christianity and which was resolutely dealt with by Romantic thinkers, whose projection of the Eros-Thanatos question onto contemporary art and literature became one of their greatest obsessions.
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                            [g] => Vol. 26,  Nº. 1-2,  2011 (Ejemplar dedicado a: Dossier Edmond Cros),  pags. 207-243
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