Ángeles y anónimas: la profesión de monja música y sus límites espacio-sonoros en conventos y monasterios femeninos castellanos (siglos XVI a XVIII)

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                            [a] => In Castile, during the Early Modern period, nun musicians constituted  a large part of the contingent of professional musicians providing their services  in the urban and rural space. Nun musicians became expert in different musical  styles and genres, adapting the repertoire to the occasion (Divine Office, festivities,  leisure) the space (church, home, entrance, parlatory) and the instruments at their  disposition. Although the activity of these female performers and composers is well  documented through archival documentation and literary references, their names  are mostly absent from the history of music. In this study, we examine the education  of nun musicians, their duties as performers, composers and teachers as well  as their consideration and influence on relevant sixteenth-century music treatises.  Finally, we analyse the phenomenon of nuns' disembodiment through contemporary  chronicles and literary manifestations, such as the «Vidas de monjas» genre,  together with Miguel de Cervantes's sonnet dedicated to the renowned nun singer,  Alfonsa González de Salazar, included in Miguel Toledano's book Minerva sacra
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                            [t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
                            [x] => 2328-1308
                            [g] => Vol. 9,  Nº. 2,  2021,  pags. 327-343
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