Ecos clásicos y renacentistas en la obra teatral y poética de Antonio Enríquez Gómez: el tópico del Etna como símbolo del amor

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                            [a] => This article approaches the transmission of Etna's topic as a symbol  of love from classical literatures and its reception in Baroque literature, specifically  in the poetry and theater of the crypto-Jew Antonio Enríquez Gómez. The study  can be divided into two content blocks: in the first one, we analyze how the topic was forged in Greek literature and how it became stablished in Latin literature  with Ovidio, Catullus and Horacio. Likewise, we analyze its transmission in the 16th  century by Garcilaso de la Vega, his followers and his commentators, who were,  beyond doubt, read by Baroque poets. In the second block, we analyze the reception  of Etna in Enríquez Gómezʼs work, determining that his emblematic writing style  corresponds exactly to the writing style of Pedro Calderón de la Barca, a playwright  greatly admired by Enríquez Gómez. Finally, we emphasize that Etna is a consolidated topic in the Calderonian school and, therefore, it is worth continuing to investigate it in successive works
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                            [t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
                            [x] => 2328-1308
                            [g] => Vol. 9,  Nº. 2,  2021,  pags. 567-581
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