El triunfo del oído en el primer teatro mitológico de Lope de Vega

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                            [a] => Against the growing monopoly of the visual element that triumphed  in theatres, Lope expresses a complaint in the «Prólogo dialogístico» of his Parte  decimosexta de comedias, which can be regarded as a paradox because this  volume includes most of his mythological plays, a genre associated with  spectacular pageantry and effects directed to the eyes. Through the first piece that  he wrote of this type, Adonis y Venus, and providing new data for the analysis of  his musical passages, it is shown that Lope's dramatic challenge is not only to  structure the piece through the perception of the ear, but also to condense the  musical knowledge that he was disseminating during those years in other  non-mythological plays. The complex semantics of songs such as «Triunfa la hermosura,  vence Atalanta», «Rapacillo lisonjero» or «Soñaba yo que tenía» shows the  attitude of the first Lope before the fashion of the visual complained in the prologue:  far from succumbing, it raises the demands of the sonorous ingredient and  expands the poetic-musical resources
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                            [t] => Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
                            [x] => 2328-1308
                            [g] => Vol. 9,  Nº. 2,  2021,  pags. 843-854
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