Miguel Hernández y Reinaldo Arenas o la historia de los poetas pastores que fueron presos

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                            [a] => Este trabajo explora la relación literaria entre Miguel Hernández y Reinaldo Arenas desde tres ejes temáticos: la leyenda del pastor poeta que rodeó a ambos autores, las condición de iconoclastas literarios en sus respectivas tradiciones literarias conectadas a una idea de ruralidad, y un análisis de la poesía de Hernández y Arenas desde el ámbito de la prisión, específicamente, una lectura comparada entre Cancionero y romancero de ausencias (1938-1941) y los poemas "Voluntad de vivir manifestándose" y "Leprosorio (Éxodo)". El vínculo de Arenas con Hernández comenzó a construirse por José Lezama Lima y otros miembros del grupo Orígenes como Eliseo Diego. Con el paso del tiempo, Arenas asumiría conflictivamente este parentesco creativo acentuándolo, atenuándolo y al final negándolo dentro del campo cultural cubano de los sesenta. Por sus coincidencias rupturistas Hernández y Arenas encarnaban la realización de un ideal de escritor prístino y puro, procedente del campo, presente en el imaginario de la intelligentsia de sus épocas. Arenas terminaría aproximándose a la obra de Hernández a partir de una nueva condición compartida: la de poetas presos.
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                            [t] => Poéticas: Revista de Estudios Literarios
                            [x] => 2530-0296
                            [g] => Nº. 15,  2022 (Ejemplar dedicado a: NÚMERO 15),  pags. 91-118
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