«¡Y acabe aquí la comedia / pidiendo yo como humilde / perdón por mí y los poetas!». Ecos intertextuales de Francisco de Rojas Zorrilla en «El robo de las sabinas»

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                            [a] => This article attempts to outline a study based on rhetoric and corpus  linguistics to demonstrate the intertextual echoes of Francisco de Rojas Zorrilla  from Toledo in El robo de las sabinas, a comedy in collaboration attributed exclusively to the unknown brother of Antonio Coello Ochoa, Juan Coello and Arias, in the  editions that have transmitted the text up to now and also in the biobibliographic  catalogs of the 18th and 19th centuries. In addition to several intertextual examples,  our hypothesis is based, at the same time, on a news item of a performance dated  in the year 1637, in which it is stated that, in fact, it is a collaborative work and in  which Rojas Zorrilla participated
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