La influencia de las vanguardias francesas en el teatro Pánico de Fernando Arrabal
- Statement of Responsibility:
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Torre, María
- Hlavní autor:
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Torre, María
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- Formát:
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Journal article
- Jazyk:
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Spanish; Castilian
- Forma / Žánr:
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text (article)
- Vydáno:
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2019
- V:
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Impossibilia ISSN 2174-2464 Nº. 17, 2019, pags. 219-244
- Předmětová hesla:
- Annotation:
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The Panic Movement, founded by Roland Topor, Alejandro Jodorowsky and Fernando Arrabal, was a milestone in the world dramaturgy because its proposal of a new model of theatrical performance. Despite the differences in content and form of its works, it is distinctive a series of elements of the French vanguardism that configures this artistic movement. We emphasize the importance of the French theatre for researching about the connections between the cultural French repertoire and the drama plays by Arrabal, specially El Arquitecto y el Emperador de Asiria. To this end, we proceed to a comparative analysis of the Panic theatre by Arrabal with the writings by Antonin Artaud, the theatre by Alfred Jarry, and the Surrealist movement.
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| 520 | 3 | \ | |a The Panic Movement, founded by Roland Topor, Alejandro Jodorowsky and Fernando Arrabal, was a milestone in the world dramaturgy because its proposal of a new model of theatrical performance. Despite the differences in content and form of its works, it is distinctive a series of elements of the French vanguardism that configures this artistic movement. We emphasize the importance of the French theatre for researching about the connections between the cultural French repertoire and the drama plays by Arrabal, specially El Arquitecto y el Emperador de Asiria. To this end, we proceed to a comparative analysis of the Panic theatre by Arrabal with the writings by Antonin Artaud, the theatre by Alfred Jarry, and the Surrealist movement. |
| 538 | \ | \ | |a application/pdf |
| 540 | \ | \ | |a LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| 650 | |a grupo Pánico | ||
| 650 | |a Fernando Arrabal | ||
| 650 | |a teatro francés | ||
| 650 | |a literatura comparada | ||
| 650 | |a dadaísmo | ||
| 650 | |a Alfred Jarry | ||
| 650 | |a Antonin Artaud | ||
| 650 | |a surrealismo | ||
| 650 | |a Panic movement | ||
| 650 | |a Fernando Arrabal | ||
| 650 | |a french theatre | ||
| 650 | |a comparative literature | ||
| 650 | |a dadaism | ||
| 650 | |a Alfred Jarry | ||
| 650 | |a Antonin Artaud | ||
| 650 | |a surrealism | ||
| 655 | \ | 4 | |a text (article) |
| 773 | |t Impossibilia |x 2174-2464 |g Nº. 17, 2019, pags. 219-244 | ||
| 856 | 4 | |u https://dialnet.unirioja.es/servlet/oaiart?codigo=7033141 | |
| 995 | \ | \ | |a Biblioteca Nacional de España |
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