Prometeo en los relatos de ciencia ficción: Las relecturas de un mito (De Frankenstein a Blade Runner 2049)

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                            [a] => La creación artificial de la vida humana, las máquinas, los robots y androides serán un argumento que pondrá de moda el mito de Prometeo en un formato nuevo, el cine. La novela Frankenstein o el moderno Prometeo, que Mary Wollstonecraft Shelly publicó en 1818, es el comienzo de una serie de relecturas del mito de Prometeo y el precedente de numerosas películas de ciencia ficción de las últimas décadas del siglo XX.  La mitología griega ha producido tres fascinantes versiones literarias de Prometeo (Hesíodo, Esquilo y Platón), que reflejan diversas intenciones. El cine de ciencia ficción ha hecho una nueva lectura de este relato mítico, pero a través de la interpretación platónica, donde emerge la valoración de la técnica como fundamento de la civilización y el progreso.  Blade Runner y Blade Runner 2049, con su creación de replicantes (Nexus 6 y 9 respectivamente), son un paradigma del Prometeo científico, que pone de manifiesto los riesgos del avance técnico y la falta de ética y escrúpulos morales en la ciencia.  En este artículo se analiza la adaptación del mito prometeico en estas dos películas de ciencia ficción a través de la continuidad de diversos motivos coincidentes con la novela Frankenstein, mediante una metodología comparativa y de análisis del mitema y su transficcionalidad.
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                            [t] => Álabe: Revista de Investigación sobre Lectura y Escritura
                            [x] => 2171-9624
                            [g] => Nº. 27,  2023,  pags. 9-20
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