El apólogo y el estatuto de la ficción en el Renacimiento

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                            [a] => Estudia la evolución del apólogo en el Renacimiento desde que empieza a cultivarse entre los humanistas italianos del siglo XV, y cómo los nuevos rasgos lo van alejando de las fábulas tradicionales en aspectos formales y de contenido: progresiva predilección por las personificaciones de entidades abstractas, hincapié en la enseñanza ético-filosófica, empleo de fomas narrativas y del diálogo literario indistintamente. El apólogo se acerca así a otras fomas cultas de escritura alegórica y adquiere autonomía funcional, lo que se manifiesta en una nueva consideración poética de la fábula. Por último, se relaciona este proceso con las críticas a las fábulas milesias que proliferan en la literatura renacentista española.
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                            [t] => Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro
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                            [g] => Nº. 1,  2007
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